{"id":116,"date":"2010-11-23T14:48:00","date_gmt":"2010-11-23T14:48:00","guid":{"rendered":"http:\/\/johnpicacio.com\/onthefront\/2010\/11\/23\/imaginefx-64\/"},"modified":"2014-12-14T18:45:02","modified_gmt":"2014-12-14T18:45:02","slug":"imaginefx-64","status":"publish","type":"post","link":"http:\/\/johnpicacio.com\/onthefront\/2010\/11\/23\/imaginefx-64\/","title":{"rendered":"ImagineFX #64!"},"content":{"rendered":"

<\/p> $\"\"$ <\/a>\n

Just arrived yesterday in my mailbox \u2014 the December issue of ImagineFX Magazine, #64<\/a>. Inside is a deluxe six-page interview featuring Yours Truly. Above is the opening spread.<\/p>\n

I\u2019m still trying to figure out how the editorial staff crammed so much art and text onto six pages and made it flow so naturally. There\u2019s a LOT of info in this interview, and although I give plenty of interviews these days, this one was a special pleasure.<\/p>\n

ImagineFX<\/a> is the best English-language magazine about sf\/f art because quite frankly, it treats sf\/f art with the most scrutiny and respect. It\u2019s a UK-based mag, and I first encountered it several years ago at a Borders bookstore. The cover price was daunting ($16!!!). I gave it a try. Overall, I was impressed, but the mag skewed toward technical know-how for Photoshop purists and pixelpushers. Not so much for me, as my work was a hybrid between traditional and digital media, and I very much enjoyed interviews and insights from traditional media artists as much as digital ones. In other words, it was an exciting mag, but the scope seemed a bit limited and incomplete.<\/p>\n

As the years have gone along, the mag has expanded its scope and diversity, becoming richer and more balanced across all media and geography. It\u2019s maintained the early digital purist roots but there\u2019s much more coverage of the entire artist spectrum of sf\/f \u2014 traditional, digital, and in-between. One of ImagineFX\u2019s great strengths is its international flavor as it spotlights artists around the globe \u2014 US, UK, Australia, Thailand, China, France, Germany, and round and round. So good, and so eye-opening. So much so, that I started subscribing<\/a> last year, and it\u2019s become the only industry magazine that I take time to read anymore. Frankly, while there are several better-known sf\/f magazines that cover the sf\/f field, none of them treat sf\/f art with the columnspace and critical insight that ImagineFX does. I love reading about the writers of sf\/f and there are tons of publications and venues to find that stuff, but when I want to see inside the head of a particular sf\/f artist, very few print venues regularly offer insightful interviews about the current scene. ImagineFX tackles that task month after month, and that\u2019s why I keep coming back (ditto to Sidebar Nation<\/a>, which is also the Real Deal for sf\/f art interviews, but in podcast form).<\/p>\n

At any rate, I\u2019m honored to be profiled in the pages of this latest issue, which is packed with great stuff, including an overview of the history of Dungeons & Dragons Art. US readers \u2014 the issue should appear on your newsstands within the next couple of weeks. Definitely worth your hard-earned nickels this Xmas season. \ud83d\ude42<\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"