{"id":144,"date":"2009-12-06T16:08:00","date_gmt":"2009-12-06T16:08:00","guid":{"rendered":"http:\/\/johnpicacio.com\/onthefront\/2009\/12\/06\/smofcon-27-final-thoughts\/"},"modified":"2014-12-14T18:45:25","modified_gmt":"2014-12-14T18:45:25","slug":"smofcon-27-final-thoughts","status":"publish","type":"post","link":"http:\/\/johnpicacio.com\/onthefront\/2009\/12\/06\/smofcon-27-final-thoughts\/","title":{"rendered":"SMOFCon 27 Final Thoughts"},"content":{"rendered":"

Made a quick visit to SMOFCon 27<\/a> in Austin, TX yesterday afternoon. Quick thoughts:<\/p>\n

1. Thanks to Karen Meschke for graciously inviting me to participate on a panel called \u201cArtists \u2014 What They Need and Expect From Conventions\u201d. Scott Zrubek, Laura Domitz, Rocky Kelley, and Vincent Villafranca were my fellow panelists. Scott did a tremendous job moderating a 1.5 hour, frenetic, and highly-energized room of opinions and exchanges. I learned A LOT from this panel, and I hope the audience did as well.<\/p>\n

2. Props to Craig (last name unknown) who sat in the back row and had a treasure trove of articulate knowledge about the pricing and ease with which future Worldcons can create banners of the Artist Guest of Honor\u2019s work in order to provide a massive visual beacon for the show, build pride in its attending membership, herald the show\u2019s arrival to the host city, and increase artists\u2019 desire to attend Worldcon. I\u2019ve been championing this idea for the last year-and-a-half. When I raised the point, he had a wealth of info to corroborate. It never occurred to me that extra banners could also be produced and sold to membership as a collectible, but that\u2019s a fantastic idea for another revenue stream for future Worldcons. Very smart.<\/p>\n

3. I\u2019d love to see Worldcon increase their outreach toward art directors. Writers attend Worldcon for the sake of one thing \u2014 jobs. It\u2019s no different for artists. I suspect most writers are less concerned about discussing their past work, as much as they are about promoting their current work, and most importantly, planting the business seeds with editors and publishers for their next gigs. It\u2019s no different for artists. Art directors hire artists, just as editors call the shots for writers. I advocated an expansion of programming mindset toward artists where Worldcon doesn\u2019t just do a good art show and call it a day, but in fact, expands the job networking possibilities for artists via increased outreach to art directors in books, gaming, film, and media (perhaps Art Director Guests of Honor?). Add to this expanded opportunities for portfolio reviews for young artists. Right now, Irene Gallo and Lou Anders are the only art directors who have consistently attended Worldcon in recent years. Artist attendance at Worldcon has declined in large part because the vast majority feel the show doesn\u2019t promote enough job opportunity and career advancement for artists. Worldcon would gain amazing vibrancy and energy from an ongoing effort toward this one major move. It would lift the whole con to another level.<\/p>\n

4. Lighting, lighting, lighting at art shows. Much talk about this and how to establish and improve standards. Good stuff. I don\u2019t know enough about lumens to be an expert, but hopefully some of us will start looking at this and gains will be made for the overall.<\/p>\n

5. SMOFCon \u2014 I\u2019d like to just give a heartfelt thank-you to all of you for being gracious to me, and especially to all who attended that panel. On the drive home, my wife Traci and I talked about how fortunate science fiction is to have people who give so much of themselves to make these cons happen. That goes for all of the SMOFs in the house. I tip my hat to all of you, who attended from around the world. You have my utmost respect. Happy Holidays. See you at Boskone<\/a> and around the continent in 2010. \ud83d\ude42<\/p>\n<\/body>","protected":false},"excerpt":{"rendered":"