Whelan & Paul / ’09 Hall of Famers!

Really pleased to hear via Locus Online that Michael Whelan & Frank R. Paul are amongst the four new Science Fiction Museum Hall of Famers, along with Connie Willis and Edward L. Ferman. It’s great to see not one, but two, of the best sf artists ever amongst this year’s inductees. Whelan’s reputation as one of the greatest illustrators in the history of sf/fantasy is well-known. Paul is perhaps lesser known to folks who don’t draw and paint sf for a living because Paul was the first major science fiction illustrator, and his visionary work happened in the 20’s and 30’s. (Pictured above: one of his seminal AMAZING STORIES covers.) Hugo-winner Frank Wu sums up Paul’s greatness:

“At a time when most Americans didn’t even have a telephone, he was painting space stations, robots and aliens from other planets. In an era when Lindbergh made headlines by flying across the Atlantic, Paul envisioned starships plowing across the galaxy. Indeed, he was the guest of honor at the first world science fiction convention, and he was the first person to ever make a living drawing spaceships. What could be cooler than that? The first science fiction image Arthur C. Clarke ever saw was a Frank R. Paul painting. Same for Forrest J. Ackerman and Ray Bradbury. Indeed, his work has inspired countless multitudes to write and dream and explore.”

Whelan’s greatness as an artist and influence on modern sf/fantasy art is legendary. Most of his recent work is personal gallery efforts (stunning and ever-evolving), while his book cover days are largely behind him. What might not be as well-known is his huge generosity toward fellow illustrators and toward the field itself. His attention to visual detail is unparalleled, but he pays the same attention to detail to how he treats people. Example — in 2005, I was at the World Horror Convention in NYC and at the time, I’d just received my first Hugo nomination. Even though we’d never met, Whelan walked up, shook my hand and congratulated me. He didn’t have to do that, but the fact he’d even take the time to do so, meant a lot. As if that weren’t enough, he later asked if we could have breakfast the next morning and even drove me and Traci to the airport right after, so that we didn’t have to take a shuttle. Small gestures. Tiny details. But how rarely does someone you barely know do something like that? How rarely do each of us invest time, kindness, and detail on a stranger? Whelan’s the ultimate class act, and when I think about how I want to treat people on my best days, he’s the example. It’s a great day because he’s now officially recognized as what we all knew he already is — an all-time great (who ain’t done yet), and officially now, an SFM Hall-of-Famer. πŸ™‚ Congrats to all four inductees, and especially to you, Michael.

Moorcockian Odds & Ends

Michael Moorcock in this past weekend’s edition of the Financial Times: A diary entry as he and Linda journey along the Mississippi Delta…

Mark Van Name on Michael Moorcock: Why Mike is The Greatest

The fourth of Del Rey’s six ELRIC omnibus books is now in stores. This one’s DUKE ELRIC and the cover and interiors are by Justin Sweet. He’ll be illustrating the fifth book as well.

Excited — I just got the call late last week to begin work on the cover illustration for the sixth ELRIC omnibus from Del Rey. This book will include THE REVENGE OF THE ROSE, “Black Petals”, and more bonus material.

Massive Stephen King Art Book!

Remember the gigantic H.P. Lovecraft art book that blew everyone away (me included) last year? Well, the publisher of that book, Centipede Press, is back again with KNOWING DARKNESS: ARTISTS INSPIRED BY STEPHEN KING. The book is in production right now, and the image at left by Michael Whelan is apparently NOT the final cover image, according to Centipede Press’ website. Last year’s Lovecraft art book had spectacular production values, and I imagine this new King art book will have the same quality, when it releases in November.

I’ve been commissioned to do an all-new ‘SALEM’S LOT illustration, exclusively for this book. My wife is a longtime fan of Stephen King’s books and when Jerad Walters hired me to do an original illustration for the book, he asked which King work I’d like to illustrate most. I immediately phoned Traci and let her make the choice. ‘SALEM’S LOT was one of her all-time faves, so that was my pick, and it was a good one. Check out this list of artists also contributing originals: THE DARK TOWER (Michael Whelan); “One for the Road” (Stephen Gervais); IT (Bob Eggleton); THE SHINING (Douglas Smith); HEARTS IN ATLANTIS (Les Edwards); DUMA KEY (Don Maitz); “The Lawnmower Man” (Jason Eckhardt); THE TOMMYKNOCKERS (Alex McVey); BLACK HOUSE and CELL (Zach McCain); “Weeds” and THE GIRL WHO LOVED TOM GORDON (David Ho); and more. Can’t wait to see the rest of these originals! I’ll unveil mine when it’s finished. πŸ™‚

Ford Fiesta!

No, I’m not talking about the midget car made by Ford Motor. I’m talking about two Jeffrey Ford trade paperback editions just released from Golden Gryphon Press. THE FANTASY WRITER’S ASSISTANT AND OTHER STORIES and THE EMPIRE OF ICE CREAM are both now available again. Just received my copies and they’re looking good. Of all the covers I’ve illustrated, these two are amongst my faves. Both books are short story collections, and both were World Fantasy Award finalists. In fact, TFWA won the World Fantasy Award back in ’03. Originally released in hardcover, TFWA has long since sold out, and EMPIRE’s hardcover edition is about to do the same.

Just noticed that Jeff Ford has himself a new website called THE WELL-BUILT CITY. And if you missed it, the mighty Charles Tan recently interviewed GGP publisher Gary Turner. Good stuff!! Check it out.

Good news / SPECTRUM #16!

While I was on the road at Coastcon, the list of artists selected for SPECTRUM: THE BEST IN CONTEMPORARY FANTASTIC ART #16 was announced. Yours truly is amongst them. πŸ™‚ As always, I’m thrilled to be in the book because my understanding is that it gets harder and harder to make the cut each year. So I never take it for granted. In a few weeks, SPECTRUM will mail out the notices that state which artworks actually made the book, so I’ll share here when I find out. The book itself should release sometime this November.

Back home from Coastcon 32

This photo makes me smile. Check it out. This is the marquee of The Shed, the barbecue joint where Traci and I ate this past weekend in Mississippi with Mark Van Name and Jennie Faries, who were two personal highlights this past weekend at Biloxi’s Coastcon 32. The Shed is out in the middle of nowhere and when you roll up to experience some of the best barbecue of your life (no joke), you see this sign that translates to “Yes, you’ve arrived in Meat Heaven.” Not only is this the kind of legendary barbecue joint that attracts a blues god like Buddy Guy, but I love, love, love that they’ve got Trent Lott’s name flipped over like a voodoo curse against all things bigoted and backward. Epic.

On to Coastcon — madly catching up here in studio now that I’m home. I was Coastcon’s Artist GoH this year and it was a memorable weekend with friends new and old. It was my first trip to Mississippi and I didn’t know what to expect post-Katrina, since the town is still recovering from the brunt of one of Mother Nature’s toughest punches three-plus years ago. Biloxi’s on its way back though, and Coastcon’s doing the same, which is doubly admirable in a soul-crushing recession. The con committee really busted its tail to create a successful con under tough circumstances, and I thought they largely succeeded. Highlights:

Enjoyed every moment hanging out with Michael and Linda Moorcock, two of my favorite people on the planet. Mike and I presented a slideshow called THE ART OF ELRIC and it was a real pleasure to look back at the history of Elric art with him. We did a few signings together as well. It was gratifying to meet Elric fans new and old, and hear that my Elric artwork fires them up.

As always, I had a blast with my pal Chris Roberson. Drank and traded laughs poolside with he, Diana Rowland, and the aforementioned Mark Van Name, and Jennie Faries. Ate great seafood. Ate my first Waffle House meal. Walked the beach with Traci and threw some frisbee shoreside. Had a great time meeting diehard Southern sf/fantasy fans of all varieties, costumed and uncostumed, who are the warmest people imaginable. On the way home, Traci and I spent a few hours in the airport with Virginia Hey of FARSCAPE fame who was also a featured Coastcon guest. She’s terrific and I wish we would’ve crossed paths sooner at the con.

Shoutouts to a few concom folks who outdid themselves: Ray Boudreau (who may have cloned himself being in so many places at once. Thanks for everything — take a bow, Ray!); Leanne Allen (who never stopped having fun even when juggling twelve things at once); Jason Fisher (who did a terrific job with tech — thanks, man!!); Alexis Tucker (who took good care of me and my work in the Art Show); Michael “Scotty” Scot (who gave me and Traci timely car rides with tourguide excellence); Frank and Claire in hospitality who gave me timely internet access when I needed it (thanks to Scotty too for that); and Randolph Allen (who managed the toughest job of all, which is programming). More good folks, much appreciated: Lindsey Hooten, Cheri Slaughter, Rob Cerio, Ken Grimes, Wayne Trovinger, Wayne Hergenroder, Mike & Tiffany Brown, Pauline & John Grigsby, Amanda & Jeremy Lepoma, Matt Duprel, Don Fallo, Stephen Gill, the art auctioneer (his name escapes me at this moment), and of course, the Chairwoman behind it all, Rebecca Smith. Thanks to all, and to any I’ve regrettably forgotten, thanks to you too for a memorable Coastcon weekend.

Hooray!! 2009 Hugo Award Finalist!!

I’m proud, thrilled and honored to be a Hugo Award Finalist for Best Professional Artist! I’m at Coastcon 32 in Biloxi, MS at the moment. Normal routine returns Sunday night. In the meantime, I’m really happy. Congrats to all nominees in all of the categories. I’m especially proud to be in the company of Bob, Donato, Dan, and Shaun. And special shoutout to Lou Anders for his Best Editor nom, and the two noms for FAST FORWARD 2, of which I illustrated the cover. Gonna be a great weekend. πŸ™‚

AGE OF MISRULE: BOOK 2 / DARKEST HOUR

Here’s my final cover illustration for the forthcoming Pyr edition of Mark Chadbourn‘s AGE OF MISRULE: BOOK 2 / DARKEST HOUR, the second book in his forthcoming US debut. I’m happy to see this one much improved from the initial catalog version (which you can see at Amazon before it’s replaced by the final below). ‘Good to see that first version receive so much praise, but while I knew the concept was solid, I wasn’t happy with my execution. Now I am.

Here’s the way the book will look when it hits US shelves in June. The first AGE OF MISRULE book will release in May. Onward to finish the cover of AGE OF MISRULE: BOOK 3 / ALWAYS FOREVER — I’ll soon have the final version of that art to share with you.

CoastCon 32: Coming very soon!

CoastCon 32 in Biloxi, MS is right around the corner. Looking forward to quality time with Mike and Linda Moorcock, Chris Roberson, Diana Rowland and Toni Weisskopf. I’m the Artist Guest of Honor so I should be pretty visible and available. Come say hello anytime. I’ll have work for sale in the Art Show, and I’m doing three fun visual presentations:

The Art of John Picacio — I’ll present a look back at some of my favorite recent work and offer a look at the very newest stuff I’m working on. Questions welcomed and encouraged.

The Art of Elric — Mike Moorcock and I will present an hour-long visual survey of the history of Elric art with commentary and occasional anecdotes from both of us. It’ll be a digital slideshow and will include work from Michael Whelan, Brom, Robert Gould, Jim Cawthorn, P. Craig Russell, Walt Simonson, and many more. This is gonna be fun.

The Good, the Bad, and the Ugly — Mike, Chris Roberson, and I will present an hour-long discussion of some of the best (and worst) covers in sf/fantasy, with audience applause and razzing encouraged.

Should be good times!! πŸ™‚

Shoutout to San Antonio

If you currently live in San Antonio, TX, and consume science fiction, fantasy, or horror (whether it be reading it, drawing it, watching it, buying it, or god forbid, even creating it), consider this a roll call. Say hello. If you’re feeling especially generous, share a little about what genre things matter to you most, especially if it’s of the reading or artwork variety.

Wyeths on Wyeth

Awesome. Andrew Wyeth and Jamie Wyeth talk about N.C. Wyeth and his mural “Apotheosis of the Family”. Some terrific bits of vintage footage here as well….if you love N.C. Wyeth like I do, this is must-see. Note to the film world: how the heck is there not a comprehensive DVD documentary about the Wyeths? A friend told me there was an N.C. Wyeth program back in the 80s available on VHS, but I’ve never seen it, and it’s not available on DVD. Until then, enjoy this…

Art Blog: The Best of Modern Art, 1800-Present

Nice surprise this morning. Noticed that my cover illustration for George Zebrowski’s MACROLIFE is one of today’s featured works over at Art Blog: The Best of Modern Art, 1800-Present. Check out this quote wherein the blog’s creators describe what kind of art they like, and don’t like:

“Most of what has been outstanding art in the past hundred years has been disparaged by modern artists as ‘mere illustration.’ We find that term to be insulting, and more often than not, a snide attack from posers who cannot produce quality work. Let us be clear, we have no issue with pushing the boundaries of art, whether it be composition, medium, or otherwise. But for us at least, art must still fulfill its aesthetic role. In short, it must be beautiful, inspiring, sublime…or at least something that doesn’t look like vomit on canvas.”

Says it all, doesn’t it? πŸ™‚ Today’s entries also include works by Jacek Yerka, Arnold Bocklin, Carlos Schwabe, Ray Caesar, and Luis Royo. Art Blog’s past archives make me want to spend all day there, with more than a few works I’ve never seen, and will probably research later on my own. I’ll definitely be visiting this place often.

R.I.P. Philip Jose Farmer

Just found out about this via Chris Roberson and Win Scott Eckert. We’ve lost another literary giant. Phil Farmer passed away this morning at 4am in Peoria, Illinois. Never got to meet him but many of my author pals count Farmer as a humongous influence. Chris, Win, and Christopher Paul Carey come immediately to mind. Best wishes to all who loved Phil and his work. Pictured here is my cover for MYTHS FOR THE MODERN AGE: PHILIP JOSE FARMER’S WOLD NEWTON UNIVERSE, edited by Win and published by MonkeyBrain Books about four years ago.