Score A Free ‘El Arpa’ Grande Card

Great news! The 2014 John Picacio Calendar is officially funded! The calendars, sketchbooks, and ‘La Sirena’ Grande Loteria cards will now be a published reality from Lone Boy. HOORAY! 🙂

The race has just begun though — and this is where the fun really begins for you as a backer.

All backers pledging $50 and above to the Kickstarter begin scoring a unique collection of objects that will be the envy of all. The first Grande Loteria card was ‘La Sirena’. She’s the first of 54 Grande Loteria cards that will eventually become a reality, even after this campaign is over. If you’re one of those $50+ backers, you receive a new Grande Loteria card — at every stretch goal this campaign achieves — absolutely free.

The next Grande card is ‘El Arpa’ (or ‘The Harp’) — pictured above, lower left. The next stretch goal is $18,000. When the funding hits that number, she becomes the second Grande, and every $50+ backer automatically scores one. And we keep going, adding uber-collectible Grandes to your rewards, with each stretch goal achieved.

I want you to have an ‘El Arpa’ for your collection. If you haven’t already — jump aboard the campaign while there are still Early Bird Rewards packages. The campaign expires on November 14th. None of these rewards will be available through other outlets.

Please continue sharing and RTing the news. Make sure your friends don’t miss out. The more backers join us, the more Grande cards you score!

On to 18K! 🙂

LOTERIA LEGEND

Have you ever wanted to be immortalized as a work of art? Or have you ever wanted to immortalize someone you love as one?


At the bottom of the Rewards sidebar on the Kickstarter page, there is a reward level called “Loteria Legend”. In addition to calendars, original art, Grande Loteria cards, and other goodies, you receive a very unique opportunity — the chance to model for an forthcoming Loteria artwork created by me. This final artwork will be a part of the 54-card Loteria deck and game that will be published by Lone Boy.
This original new illustrated artwork will be inspired by photographs of you, or the person of your choice. The opportunity includes exclusive initial consultation with me, and it’s a very rare opportunity to not only be a part of the making of a piece of published art, but to immortalize yourself, or someone you love, as a piece of artwork for all to see.
See the big “La Sirena” pictured above, on the right, framed in black? That’s the first of my 54 Loteria cards. I’m planning to make this entire Loteria deck one of the finest works of my career to date. The first Grande versions of these cards can be yours as part of the rewards in my current Kickstarter campaign.

So what are the card icons that you can become? Here’s a list:

El Gallo – The Rooster
La Dama – The Lady
El Catrin – The Gentleman
El Melon – The Melon
El Valiente – The Brave One
El Gorrito – The Bonnet
La Bandera – The Flag
El Bandolon – The Mandolin
El Pajaro – The Bird
La Mano – The Hand
El Cotorro – The Parrot
El Borracho – The Drunk One
El Negrito – The Dark One (Changing this from a racial reference to a magical thing)
El Tambor – The Drum
El Musico –The Musician
El Soldado – The Soldier
El Apache – The Apache
La Campana – The Bell
El Cantarito – The Water Pitcher
La Chalupa – The Canoe

If you want to discuss, please drop me a comment below, and we can chat here, or offline via email. It would be a blast to have you as a part of one of the major works of my life.

And even if you don’t have 2K handy — jump aboard the campaign at one of the other levels, and score yourself some great rewards. Be amongst the first to build a unique collection of Grande Loteria cards, unlike any the world has seen.

The 2014 John Picacio Calendar Kickstarter

Great news — the 2014 John Picacio Calendar is currently funding via Kickstarter and you can reserve yours right now. In addition, we have unique reward opportunities including original art, remarques, process sketches, sketchbooks, signed pencils, Grande Loteria cards, and more!

We have a limited number of Early Bird Rewards packages available. So if you like saving a few dollars — grab one of those now before they’re all gone!

The campaign will end soon — on November 14th at 11:58am EST. These calendars will NOT be available in stores, and are available EXCLUSIVELY via this campaign. You won’t be able to buy them elsewhere. Stock up and we’ll fill your order in time for the holiday gift-giving season! Thanks, everyone! 🙂

Dragon Con, Worldcon 2013 & Heavy Metal

Wow.

I’m back in studio now from a whirlwind epic weekend of Dragon Con and Worldcon.

First, Dragon Con!

I was a panelist on two terrific programming items. The first was a discussion about artists and branding, where I was scheduled to be joined by Larry Elmore and William Stout. Was super-stoked to hear what these guys had to say on this topic. Strangely though, both were absent. 🙁 Neither one showed up. I never heard why. Both are legends and consummate professionals, and I give them the benefit of the doubt because they are. 🙂

The reality was that I was faced with a big, expectant ballroom audience in front of me, and was unexpectedly carrying the entire topic all by myself. Result? The audience had a blast, and I feel like it was one of the best programming items I’ve given at any con ever. Grateful that everyone enjoyed it! And thank you to the excellent tech crew at Dragon Con, who was on the ball, which you can never take for granted at any convention. ‘Appreciated!

Next programming stop: Kickstarter 101. I shared the stage with several luminaries of the gaming world, including Obsidian Entertainment game designer Chris Avellone and Jason Bulmahn of Paizo. Was happy to share with the audience some success tips for campaigning on Kickstarter. I learned a ton listening to my fellow panelists. It was a terrific exchange, and I thank Rucht Lilavivat for including me in my first Dragon Con gaming track event. Hope to do more in the future.

Thank you, Regina Kirby, Rachel Reeves and Jason Mitchell for everything you did for me this weekend. Dragon Con is a first-class operation all the way. If the con wants me back next year, the good news is I’ll be able to give all four days to it, and attend in full because Worldcon will NOT be on the same weekend. WHEW!

Speaking of Worldcon (AKA LoneStarCon 3) — which happened this year in my hometown of San Antonio, Texas….

Let’s just cut to the chase. Because wow…..

Thank you to everyone who voted for my work in the Chesley Awards and in the Hugo Awards this year. If you wrote a Hollywood script about a fat geek schoolboy ignored by girls and in love with all things art, superhero, and sf/f from the word ‘go’, and that kid grew up to win his second Hugo Award in his hometown, with his parents and family in attendance, with a Hugo base designed by one of his favorite people (Vincent Villafranca) and handed to him onstage by a longtime comrade (Paul Cornell), on the same weekend he wins two Chesleys, and two days before his 44th birthday, after losing out on the Hugo seven years in a row — c’mon……

But yeah. It happened. It really did.

Three things:

1) Stand With Texas Women. Never give up the fight for the best healthcare for all women, and for all women to possess the rights and the choices to do what’s best for their bodies and lives. I said it in my Hugo speech. These have been some tough days lately in my homestate, and I want those who live outside of Texas, and within, to know that the fight for those rights does not stop until better days are achieved for all, despite the worst efforts of our state’s current bureaucratic heads. I also said it in my Chesley speech when THE CREATIVE FIRE won for Best Paperback Cover Illustration (thank you to Brenda Cooper for writing this book and to the great Lou Anders for being John Coltrane). That cover art was crafted with some of my thoughts on these issues in mind, even as it serves its function as a marketing icon to sell a book product. Remember that there’s never an inappropriate occasion to stand up for your fellow humans. Now is the time.

2) The Chesley Award for Best Product Illustration — the promotional art for my “La Sirena” Loteria card won this category, and it means a great deal to me because I’m currently pouring my heart out, creating more art for the 2014 John Picacio Calendar that will feature the first twelve of my Loteria artworks. That calendar and other art rewards will be available via Kickstarter this fall. Stay tuned to my Facebook, Twitter, and of course, Lone Boy, for details soon. Thank you, ASFA.

3) The Hugo Award for Best Professional Artist — this is my second consecutive win, and I was honored to share the nomination spotlight with Dan Dos Santos, Julie Dillon, Chris McGrath, and Vincent Chong. Before winning two Hugos in a row, I had seven straight nominations, with zero wins to show. It’s a hard thing to earn a Hugo nomination, and it’s even harder to win one.

The list of great sf/f artists that have never won this award in the history of the field is much longer than the list of those who have. I’m only the eleventh professional sf/f artist to have won two Hugos or more in this category (Whelan, Freas, Eggleton, Emshwiller, Giancola, Gaughan, Burns, Sternbach, Maitz, and Tan are the others), and what that means to me is I need to work even harder and become a better creative and creator. Thank you to all who made this acknowledgement possible.

The winning moment onstage fades away but it’s the celebrating with friends, peers, and loved ones that lasts for a very long time. All of you. (And I’m especially looking at you, Brotherhood Without Banners.)

Congrats to all of this year’s nominees and winners, and thank you again, LoneStarCon 3 and Dragon Con. I’ll see you both next year in London and Atlanta!

Photo credits: Top photo is courtesy of Strangelove for Science Fiction. Please visit there to enjoy a terrific photo array from Hugo Awards Night. And thank you, Rachel Warner for the very last photo!! 🙂

My Dragon Con & LoneStarCon3 Schedule

Two conventions separated by 1000 miles in one weekend?
No problem.

This weekend, I’ll be attending both Dragon Con and the World Science Fiction Convention (AKA LoneStarCon3 AKA Worldcon). I’ll be bearing gifts — come get your free deluxe Loteria art cards at selected panels and presentations at both cons. 🙂 (See above.)
And — here’s my full public itinerary. See you there!
DRAGON CON 2013
Branded: How SF/F Creators Have Built Their Own Brands
Friday / 11:30am
International North – Hyatt
John Picacio, William Stout, Larry Elmore
Top artists share their entrepreneurial strategies on how they create career sustainability on their own terms and how you can do it too.
************
Kickstarter 101
Friday / 1 pm
Crystal Ballroom – Hilton
John Picacio, Jason Bulmahn, Eloy Lasanta, Clint Black, Chris Avellone
Expert authors and designers discuss Kickstarter in gaming. Find out how to start your own and how it all works.
************
WORLDCON 2013
Pencils, Paints, and Pixels
Sunday / 10 am
Convention Center – 101B
Richard Hescox, John Picacio, Phil Foglio
Three professional artists will each present two or three finished professional artworks and describe the process of creating them from start to finish. Along the way they will share ideas about their craft.

************
Creating Art for Card Games
Sunday / 12 noon
Convention Center – 204B
John Picacio (M), Jon Schindehette, Phil Foglio, Kaja Foglio
How does creating art for card games differ from other professional art jobs? Who are some of the best card artists out there right now, and what companies and games are producing some of the best card art? What’s the future of this publishing market for artists and art directors?
************
Who Painted That!
Sunday / 1pm
Convention Center – 008A
Mark L. Olson, Karen Haber, Lou Anders, Joe Siclari, John Picacio
How can you tell who the artist is? Ever look at a book and wonder who painted that wonderful/awful cover? Artists and collectors reveal how you can tell.
************
The Future of SF/F Art in a New Publishing Landscape
Sunday / 3pm
Convention Center – 006B
John Picacio (M), Maurine Starkey, Mitchell Bentley
What is the future of the artist in science fiction and fantasy? The present and future of traditional and digital publishing is constantly and rapidly evolving in SF/F. Publishers have disappeared. Others have merged. Smaller ones have arisen. What are the implications for the visual arts in SF/F? Can SF/F artists still make a living working in the SF/F publishing field? Are artists migrating elsewhere for their livelihoods? Pro artists will discuss how they’ve evolved with the latest changes in publishing, creating new revenue streams and new art opportunities for themselves.
************
The Frontier of Imagination: The Future of SF/F
Monday / 11am
Convention Center – 008B
John Berlyne (M), Tom Doherty, Ginjer Buchanan, Toni Weisskopf, John Picacio
************
Artistic Dreams
Monday / 12 noon
Convention Center – 204B
John Picacio (M), Jon Schindehette, Irene Gallo
Some of our favorite creators talk about their dream projects.

Stand With Texas Women At Worldcon

How many of you are coming to Worldcon in San Antonio and wish you could do something to “Stand With Texas Women”?

If so, maybe together we can — and in doing so, you could be the lucky person that takes home a unique art memento.

Here’s the scoop — I’ll have a full display of art in the Worldcon Art Show, and amongst the artworks for sale will be a 7-foot tall banner of my Chesley Award-nominated artwork for Brenda Cooper’s novel THE CREATIVE FIRE, as pictured here. This artwork is one of the highlights of my 2012 body of work that has been nominated for this year’s Hugo Award for Best Professional Artist.

Back in November, I did a writeup about the making of this artwork. This one was always more than just a book cover art job. The art was created to sell a book, but it was also intended to be something more. That’s why the alternate title of this image has always been “Girl With Microphone: You Say You Want A Revolution.”

The banner is printed on vinyl, measures 24″ wide, and is one-of-a-kind. It will be available at my Worldcon Art Show display as an auction item all weekend long. Bidding starts at $100, and the highest bidder wins the banner, while all of the proceeds for this item will go to Planned Parenthood of Greater Texas and their ongoing “Stand With Texas Women” fund.

Worldcon (AKA LoneStarCon 3, or the World Science Fiction Convention) happens August 29th thru September 2nd in San Antonio at the Henry B. Gonzalez Convention Center. See you there!

EL ARPA

Here’s the final color version of my latest Loteria card, El Arpa. In English, ‘El Arpa’ means ‘The Harp’. Some of you may have seen the greyscale pencil version of this artwork which I sneakpeeked a few weeks ago. I’ve been showing the color version on the road at ConQuest, CONvergence, and SFAL2. So today is the day everyone gets to see the finished color piece.

This art will be featured in my 2014 John Picacio Calendar which will Kickstarter in September. And then in 2014, it will be included in a full-scale Loteria card deck and game set debuting from Lone Boy.

Having a blast doing this new artwork and making these cards. Working on La Escalera, El Paraguas, La Luna, and La Corona right now — all at various stages of development. So much fun.

If you missed my greyscale pencil artwork, here you go.

CONvergence 2013 Wrapup

CONvergence, you were amazing. Was honored to be your Artist GoH this weekend, and even better that I was there with friends like Lou Anders, Paul Cornell, Melinda Snodgrass, and Charlie Jane Anders as fellow GoHs. For Lou and me, this was an especially unforgettable weekend, as this was our first time being GoHs on the same slate.

Thanks to all who attended my programming items, and had such kind things to say after they were over. If I lit your fire, then that makes me happy.

Loved hearing the gasps, the ‘oooh’s and the ‘aaaah’s from the audience when Loteria images were presented at various events. I can feel the Lone Boy / Loteria wave surging and growing, every time I show these.

Thanks to all who bought my art and prints in the Art Show. I heard that the show did VERY well financially and that pleases me greatly because part of my Artist GoH job is to drive traffic to that aspect of the con.

Congrats to the con com on a record-breaking attendance of 6789! Too many hard-working con com folks to thank all at once, but Tim Wick, Michael Lee, Christopher Jones, Tanya Brody, Charlie Horne, Teresa Knipp, Ishmael Williams, Doug Yoder, Anton Peterson, and EVERYONE who made this event happen — take a bow while thunderous applause washes over you.

And while you’re doing that — please take note and direct tsunami waves of thunderous applause to one of the greatest Guest Liaisons in the Hallowed History of Guest Liaisoning. Carly Buchanan was my GL this past weekend, and she did an exemplary job. She’s a major talent and she made things HAPPEN, as the best ones do. I was incredibly fortunate to have her riding shotgun with me on this event. She came. She saw. She rocked. Take note, CONvergence comcon, pros, and fans — you’re very lucky to have her as part of your scene.

I’ve never seen a convention where perfect strangers, pro and fan alike, break out into a spontaneous, cacophonous rendition of ‘Bohemian Rhapsody’, but I have now. And there’s nothing like it.

Be proud of yourselves, CONvergence. You’re one of the most wonderful, dynamic, and energized power stations of sf/f energy. It’s the only regional con on this planet Earth that feels like Mardi Gras channeled through Fiesta Noche Del Rio, funneled through a raucous Irish pub, while cliff-diving into the riot of your best dreams. You’re a class act, and we shall meet again.

CONvergence 2013

Here are a few places where you can find me at CONvergence 2013. Spread the word — all attendees at THE ART OF JOHN PICACIO, GAME OF THRONES, and THE FUTURE OF ART AND ARTISTS IN SF/F will receive a free deluxe Loteria art card. The cards measure 5.5″ x 8.5″ and are an exclusive promo for the forthcoming 2014 John Picacio Calendar, featuring twelve new Loteria artworks.

‘La Sirena’ will be given away at THE ART OF JOHN PICACIO. ‘El Pescado’ — at GAME OF THRONES. ‘La Rosa’ — at THE FUTURE OF ART AND ARTISTS IN SF/F.
Collect all three! 🙂

Friday • 7pm
SIGNING
(Autograph Table)
Saturday • 11am
ONE ON ONE WITH JOHN PICACIO
(Sofitel Bordeaux)
Saturday • 12:30pm
THE ART OF JOHN PICACIO
(Atrium 6)
Saturday • 2pm
GAME OF THRONES
(Plaza 2)
Saturday • 5pm
THE GOOD, THE BAD, AND THE UGLY
(Atrium 3)
Sunday • 11am
THE FUTURE OF ART AND ARTISTS IN SF/F
(Bloomington)
Sunday • 12:30pm
COVER REVEAL: THE MAKING OF BOOK COVER ART
(Atrium 6)

Good news! SPECTRUM 20 Selections!

Happy to hear that two of my 2012 works have been selected for inclusion in the forthcoming SPECTRUM 20: THE BEST IN CONTEMPORARY FANTASTIC ART, edited by Arnie & Cathy Fenner!

My cover artwork for Brenda Cooper’s THE CREATIVE FIRE: BOOK ONE OF RUBY’S SONG (Pyr), art directed by Lou Anders:

And TARS TARKAS: THE GHOST THAT HAUNTS THE SUPERSTITION MOUNTAINS, my interior illustration for Chris Claremont’s story in UNDER THE MOONS OF MARS: NEW ADVENTURES OF BARSOOM, edited by John Joseph Adams, and art directed by Tom Daly (Simon & Schuster):

Both of these were selected in the Book division by Spectrum 20 jurors, Tim Bruckner, Irene Gallo, Tim Kirk, Mark A. Nelson and Michael Whelan. The book will be published by Underwood Books in November.

Both of these works will be included in my display at Spectrum Fantastic Art 2 in Kansas City next month. 🙂

How To Change A Worldcon


I saw something inspiring this past weekend.

I saw working people helping each other, toward a common cause. They were, in some cases, working toward this despite deep political and philosophical differences. They were working people, creating a World Science Fiction Convention.

This weekend, they met in San Antonio to plan logistics, scout locations, diagnose problems, create solutions, cement relationships, and make a convention. Their goal — to create the best World Science Fiction Convention possible this August in San Antonio, and when this convention arrives, it will bring some of the world’s best talent in science fiction/fantasy literature and art, as it inevitably does every year.

I watch this happen, and know that I have no interest in running one of these or volunteering on a committee. Ever.

It takes a special kind of human to do these things – to create a convention from the ground up. I have my hands full making art clients happy, building a company, making opportunities, making art. I can’t help but take my hat off to those that do have the fortitude to do this kind of work. I suspect making a Worldcon is a labor of love for them, in the same way that making art is mine.


This past Saturday, I took a few minutes to swing by the San Antonio Convention Center and Marriott Rivercenter hotel to see just what these World Science Fiction Society folks do, in preparation for a Worldcon. This is what I saw.

1) They’re not a mafia.

Far from it.

They’re working people, just like you and me. There were roughly 100 to 125 of them that I could see. This was an ‘all-staff’ meeting for convention committee members. These people, in most cases, have day jobs. They have families and lives back home that have nothing to do with fandom or sf/f. They paid hundreds of dollars of their own money to travel, lodge and feed themselves, taking time off from work and family. All of this, so that they could do the invisible hard work of planning and problem-solving — negotiating, haggling, analyzing, questioning, and solution-making. They weren’t there for glory or thank-yous, but simply To Do The Job, and do it well.

2) Worldcon wants change.

True. I’m not going to say that all Worldcons have, but from what I see and hear, this one in San Antonio wants to be different. Change wears a million faces. The shape of that face often depends on who’s looking, and from what vantage point. In this case, I see a chairperson named Randy Shepard who is what once made me proud to be a Texan. He belongs to a Texas before George Bush, before Rick Perry, where mavericks and democracy were celebrated, where the weird and the strange were welcomed, where being different was cool, where common sense was King. These days, it’s hard to remember that this Texas even existed. Randy hasn’t forgotten, and he wants the biggest, boldest programming ideas that sf/f literature and art can bring. More importantly, he wants them to happen. I’m rooting for him.

3) Worldcon is a team game, not a glory trip.

What makes this con special? Put the traditions aside. Put the guests aside. Put the Hugos aside. The ugly truth that many Worldcon critics won’t face is this – the World Science Fiction Society belongs to the critics, if they know how to claim it. The power of a Worldcon IS there for the critics to claim for their very own, and swing like a mighty hammer, if they just reach out and grab it. It’s right there. Why? Because the World Science Fiction Society is one of the best examples of democracy in action that we still have. Anyone can join the process, and anyone can change it, if they use the tools of democracy properly. It’s that simple.

What’s beautiful is that the ones that wield the power are the ones that are doing the work, and until someone works harder, works smarter, and works better than them – then the workers wield the power. As an American, I feel pretty good when accessible working people wield the power, rather than a faceless elite hiding behind pretense. Don’t you?

From what I see out here, those that demand change and spew venom at the Hugos and at Worldcon – they’ve demanded a place at the table with angry blogposts and derisive comments. They want their voices heard. They want the Hugos to reflect their tastes. They want to believe that there’s an ‘establishment’ blocking the world from seeing their way.

What makes Worldcon great is it’s a convention by the people, for the people. At its best, it welcomes the outlier. It welcomes the outcast. It welcomes everyone to take part and better yet, to criticize it, and shape it into something better. And it’s always ripe for a revolution, for a new regime, for a group of critics, trolls, and nerd ragers to democratically bring their new ideas into the fold. It’s there for the taking every single year, with no exception. How?

Simply show up.

And do the work.

I just saw some of that hard work in action, this weekend. I saw hard-working people leaving behind their dayjobs and families for four days. They paid their own money to get on a plane and fly to a distant location. They checked their egos at the door. They thought about what they wanted. They took the time to understand the wants and needs of those around them. They took the time to understand others’ fears and hopes. They took the time to show up at the World Science Fiction Society meetings. They proposed amendments and changes. They built coalitions. They built relationships. They made the future happen.

Easy.

Simple as that.

Once you put yourself in the shoes of these men and women – the ones who do the work – any agent of change would have to ask themselves first, “Why would someone do all of this work and then turn around and submit to those that aren’t doing any work?” Social media is a weapon. But to my friends who criticize Worldcon and the Hugos – let me offer some advice — the truth is you need a bigger weapon. You’re bringing a knife to a gunfight.

If you want to change Worldcon, you’ve gotta bring yourself.

You’ve gotta bring your best desire to build a common good. And you’ve gotta bring what makes you extraordinary to Worldcon, in some way, shape or form — every year if need be — in person, until you’ve changed this world, as you see fit.

In short – you’ve gotta bring your best. And you simply can’t do that by solely hiding behind an avatar and a keyboard. Apathy has never rung more hollow than when someone slams the Hugos or Worldcon, and has never attended either.

I’m stoked about the experience and leadership I saw in action this weekend in San Antonio. I saw people methodically solving problems. I saw people with big visions. I saw people with the will to make those visions happen. I saw people who want to achieve the very best.

It bodes well for a landmark Worldcon this summer in San Antonio. I’ll be there. You should be there too, if you care about science fiction and fantasy, and especially if you don’t like the current state of the Hugos or Worldcon. Bring a revolution. Bring your best — because this Worldcon, and this world, needs you.

If you do, it’s quite possible you might find a world bigger than yourself.

(Upper right photo credit: http://www.kylecassidy.com/ / Lower photo credit: William Lexner and The Brotherhood Without Banners)

It’s Been A Good Day

Found out this morning that I was selected for the 20th edition of SPECTRUM: THE BEST IN CONTEMPORARY FANTASTIC ART. Congrats to all of the artists who made the list! 🙂

Fast forward a few hours, and the 2013 Hugo Award nominee announcement went public announcing that I’m a 2013 finalist for Best Professional Artist!

Grateful and honored to be in the company of Dan Dos Santos, Julie Dillon, Chris McGrath, and Vincent Chong. Congrats, folks — and to all of the nominees! 🙂 This is the first Hugo nomination for Julie, Chris and Vincent. It’s the fifth for Dan.

The complete list of 2013 Hugo Awards nominees is here, and it’s a list full of surprises and new blood, which is great to see.

The final voting for the Hugos will open soon. Details here.

I’ll be in San Antonio for this year’s LoneStarCon 3, where the Hugo ceremony will take place over Labor Day weekend. Should be a blast!

And in the coming weeks, I’ll find out which piece of my 2012 work was selected for this year’s Spectrum annual, which releases in November.

Been a good day. These kind don’t happen often.

Might be a good time for a Macallan 25. 😉

Andrew Wyeth on Art, Work, Life, and America

If anyone can find more conversations with Andrew Wyeth, please holler. This conversation is gold. I love this guy’s work, and don’t need words to enhance that. However, hearing him talk about work is especially inspiring. My favorite line — “….when you know something, and feel it and have a love for it…my god….do it. Don’t let it go by.”

My 2012 Body of Work

It’s been a crazy start to 2013 here, so I’m only just now posting an illustrated list of my 2012 body of professional work, including covers for Brenda Cooper’s THE CREATIVE FIRE, Ian McDonald’s BE MY ENEMY, and the limited edition of Dan Simmons’ HYPERION, as well as the first glimpses of my Loteria card set.

As noted by Tor.com and most of your social media circles, the awards nomination season is upon us again (Hugos and otherwise). If you wish to reference this list for future consideration, please feel free to peruse and bookmark at your convenience. Enjoy!

The Shiny New Future of Publishing

Just read a must-read post by Dennis Johnson of Melville House, outlining the very-possible closing-down of Barnes & Noble’s physical bookstores. For many of my more radical ebook-loving friends, this is cause for cheering and applause. I do not agree with them. For me and several of my long-time publishing friends, it’s the realization of something we’ve been watching and noting since around 2008/2009, like watching a massive train derail in slow-motion.

While I do not forget big-box stores’ ruthless and myopic elimination of independent bookstore competition over the years (good ol’ American capitalism, right?), I don’t applaud the demise of any bookstore, even the big-box versions. And if you’re a fan of anything that’s written or drawn in published form, then you should pay attention to what’s happening right now, because it’s going to affect you, even if you’re really happy right now with your Shiny New Future. And in fact, it already is affecting you, even if you don’t realize it.


New York Times’ David Streitfeld, in a recent report on ebooks: “The triumph of e-books over their physical brethren is not happening quite as fast as forecast.” Streitfeld floated the idea that this may be due to the “counterintuitive possibility … that the 2011 demise of Borders, the second-biggest chain, dealt a surprising blow to the e-book industry. Readers could no longer see what they wanted to go home and order.”

Result, according to Melville House’s Johnson? “The closing of bookstores selling PRINT books may also be hurting the sale of EBOOKS.”


Ding-ding-ding. Hi, folks — that’s Reality ringing your cultural doorbell.


My take: Culture is an ecosystem. Think balance. Think beyond the length of your own arm. Our current Shiny New Future of Publishing is built for short-term gratification, and long-term ‘scorched earth’ (borrowing Johnson’s phrase). I think we can do better than that. We NEED to do better than that.


I offer this to anyone reading this — you’re not in charge of ‘saving Barnes and Noble’ or ‘saving publishing’ or ‘saving culture’. That’s missing the point. It’s the wrong way to frame these events. You ARE in charge of deciding what kind of culture you want, and leaving a world of better choices than the one you were given. In publishing and in reading culture, we’re not doing such a hot job lately. Stop choosing convenience over culture, people. You can have both, but when you choose the former exclusively over the latter, you lose. Ebooks are NOT the devil, but ignorance sure is. 

Goodbye, 2012….Hello, 2013!

Hey, 2012 — You were an amazing career year. Fortunate and grateful to have so many highlights packed into twelve months. Here’s to continuing to put nose to grindstone in 2013, and hopefully becoming a better artist.

Today marks the last day of the 2012 George R. R. Martin / A SONG OF ICE AND FIRE Calendar that I illustrated. This gig was one of the joys of my career, and I’m grateful for not only the work but for George, Parris, Anne, Dave, the Brotherhood Without Banners, and all of the worldwide friends that made the experience one of the best of my life so far. The work is its own reward, but the cherry on top was receiving the Chesley Award for Best Product Illustration for the calendar’s artwork.

This was the year I won the Hugo Award for Best Professional Artist, becoming the seventeenth artist in the history of sf/f to do so. Again — incredibly grateful.

This was also the year that I launched a company for my creator-owned works — Lone Boy — and the year that I produced a 2013 calendar of some of my best cover artworks, as the first product offering from Lone Boy. The next Lone Boy endeavor will be Loteria. I can’t wait to create all of that artwork, and bring a new set of visions to it in the coming months.

2013 is gonna be a big year, and I sincerely thank everyone who has shared in my work to this point. I’m grateful for being a part of the sf/f genre community, and I’m looking forward to continuing to make more big sf/f art, while expanding my outreach in the weeks ahead. All best wishes in 2013 to all of my friends and family near, far, and around the world — may all of you experience the very best of times in this coming New Year. Let’s keep trying everyday to make a better world together.