Selected 2019 Works

For those seeking one-stop summaries of eligible work for the 2020 awards season, I hope this curated gallery is helpful. Here are a few of my selected published artworks from 2019 for your consideration.

La Palma / Art for the Loteria Grande Card from Lone Boy by John Picacio

‘La Palma’ • Product illustration for the Loteria Grande Card • Client: Lone Boy • February 2019 • Media: Graphite Drawing / Digital Finishes. (Art © 2019 John Picacio.)

'Naked, Stoned, and Stabbed' / Art by John Picacio for Bradley Denton's Wild Cards story

‘Naked, Stoned, and Stabbed’ • Interior illustration for Bradley Denton’s ‘Naked, Stoned, and Stabbed’ • Client: Tor.com • Art Director: Irene Gallo • Editor: George R. R. Martin • October 2019 • Media: Graphite Drawing / Digital Finishes • (Art © 2019 John Picacio.)

'Long Is The Way' / Art by John Picacio for Carrie Vaughn and Sage Walker's Wild Cards story

‘Long Is The Way’ • Interior illustration for Carrie Vaughn and Sage Walker’s ‘Long Is The Way’ • Client: Tor.com • Art Director: Irene Gallo • Editor: George R. R. Martin • May 2019 • Media: Graphite Drawing / Digital Finishes • (Art © 2019 John Picacio.)

'La Cantarita' / Art by John Picacio for the Loteria Grande Card from Lone Boy

‘La Cantarita’ • Product illustration for the Loteria Grande Card • Client: Lone Boy • December 2019 • Media: Graphite Drawing / Digital Finishes. (Art © 2019 John Picacio.)

Art by John Picacio for an interior poster featured in Leigh Bardugo's NINTH HOUSE (Flatiron Books)

Interior poster illustration for Leigh Bardugo’s NINTH HOUSE • Client: Flatiron Books / Macmillan • Art Director: Leigh Bardugo • September 2019 • Media: Graphite Drawing / Digital Finishes. (Art © 2019 John Picacio.)

Selected 2018 Works

For those seeking one-stop summaries of eligible work for the 2018 awards season, I hope this curated gallery is helpful. Here are a few of my selected published artworks from 2018.

'La Musica' Art by John Picacio for his Loteria Grande Card series (Lone Boy)

‘La Musica’ • Product illustration for Loteria • Client: Lone Boy • December 2018 • Media: Graphite Drawing / Digital Finishes. (Art © 2018 John Picacio.)

'La Campana' Art by John Picacio for his Loteria Grande Card series (Lone Boy)

‘La Campana’ • Product illustration for Loteria • Client: Lone Boy • July 2018 • Media: Graphite Drawing / Digital Finishes. (Art © 2018 John Picacio.)

Art © 2018 John Picacio for CONSTANCE VERITY SAVES THE WORLD by A. Lee Martinez (Saga Press)

Cover illustration for A. Lee Martinez’s CONSTANCE VERITY SAVES THE WORLD • Client: Saga Press • Art Director: Michael McCartney• Editor: Joe Monti • July 2018 • Media: Graphite Drawing / Digital Finishes. (Art © 2018 John Picacio.)

Art by John Picacio for the Wild Cards story 'The Flight of Morpho Girl' (Tor.com)

‘The Flight of Morpho Girl’ • Interior illustration for Caroline Spector and Bradley Denton’s ‘The Flight of Morpho Girl’ • Client: Tor.com • Art Director: Irene Gallo • Editor: George R. R. Martin • May 2018 • Media: Graphite Drawing / Digital Finishes • (Art © 2018 John Picacio.)

Cover art by John Picacio for UNCANNY MAGAZINE #25 ('La Valiente')

‘La Valiente’ • Cover illustration for UNCANNY MAGAZINE • November / December 2018 • Media: Graphite Drawing / Digital Finishes. (Art © 2017 John Picacio.)

Art by John Picacio for C. Robert Cargill's WE ARE WHERE THE NIGHTMARES GO AND OTHER STORIES (Harper Voyager)

Cover illustration for C. Robert Cargill’s WE ARE WHERE THE NIGHTMARES GO AND OTHER STORIES • Client: HarperCollins / Harper Voyager • Art Director: Owen Corrigan • Editor: Jennifer Brehl • June 2018 • Media: Graphite Drawing / Digital Finishes. (Art © 2018 John Picacio.)

Art by John Picacio for the Wild Cards story,

‘Fitting In’ • Interior illustration for Max Gladstone’s ‘Fitting In’ • Client: Tor.com • Art Director: Irene Gallo • Editor: George R. R. Martin • October 2018 • Media: Graphite Drawing / Digital Finishes • (Art © 2018 John Picacio.)

Art by John Picacio featured on the cover of A LARGER REALITY / UNA REALIDAD MAS AMPLIA, edited by Libia Brenda Castro (Cumulo de Tesla / Fireside Fiction)

Cover illustration for A LARGER REALITY / UNA REALIDAD MAS AMPLIA • Client: Cumulo de Tesla / Fireside Fiction • Cover Designer: Pablo Defendini • Editor: Libia Brenda Castro • August 2018 • Media: Oil / Acrylic / Mixed Media

Selected 2017 Works

For those seeking one-stop summaries of eligible work for the 2018 awards season, I hope this curated gallery is helpful. Here are a few of my selected published artworks from 2017.

‘La Valiente’
Product illustration for Loteria
Media: Graphite Drawing / Digital Finishes
Client: Lone Boy
October 2017
(Art © 2017 John Picacio.)

‘When The Devil Drives’
Interior illustration for Melinda Snodgrass’ ‘When The Devil Drives’
Media: Graphite Drawing / Digital Finishes
Client: Tor.com
Art Director: Irene Gallo
Editor: George R. R. Martin
July 2017
(Art © 2017 John Picacio.)

 

 

‘El Gorrito’
Product illustration for Loteria
Media: Graphite Drawing / Digital Finishes
Client: Lone Boy
May 2017
(Art © 2017 John Picacio.)

 

 

‘La Araña’
Product illustration for Loteria
Media: Graphite Drawing / Digital Finishes
Client: Lone Boy
December 2017
(Art © 2017 John Picacio.)

 

 

‘El Arpa’
Cover illustration for Uncanny Magazine
Media: Graphite Drawing / Digital Finishes
Client: Uncanny Magazine
January / February 2017
(Art © John Picacio.)

Selected 2016 Works

2017 is already flying by so fast. Here are a few of my selected artworks from 2016. For those seeking one-stop summaries of eligible work for the 2017 awards season, I hope this short list is helpful.


‘La Botella’
Product illustration for Loteria
Client: Lone Boy
October 2016
(Art © 2016 John Picacio.)


‘La Corona’
Product illustration for Loteria
Client: Lone Boy
October 2016
(Art © 2016 John Picacio.)


‘La Pera’
Product illustration for Loteria
Client: Lone Boy
October 2016
(Art © 2016 John Picacio.)


Cover illustration for A. Lee Martinez’s THE LAST ADVENTURE OF CONSTANCE VERITY
Client: Saga Press
July 2016
(Art © 2016 John Picacio.)


Interior illustration for Carrie Vaughn’s WILD CARDS story, “The Thing About Growing Up In Jokertown”
Client: Tor.com
December 2016
(Art © 2016 John Picacio.)


Cover illustration for George R. R. Martin’s IN THE HOUSE OF THE WORM
Client: Baltimore Science Fiction Society
May 2016
(Art © 2016 John Picacio.)

2015 Locus Award Winner!

LOCUSAWARD2015I’m back home from Seattle, and I brought back the 2015 Locus Award in the Best Artist category. Wow. 🙂 I was nominated this year along with Michael Whelan, Jim Burns, Charles Vess, and Shaun Tan. That’s a helluva lineup and I have huge respect for all four of those artists. Winning the award is doubly gratifying because it’s an acknowledgement of the ongoing Loteria artwork that constituted a large part of my 2014 output. So THANK YOU, Locus Magazine Readers!! This is hugely appreciated.

Going forward, I’m excited to see where Michael is headed as a visual storyteller. I’m stoked to see where Charles is headed with his next illustrated book. Ditto Shaun. And note to self: I need to buy Jim’s 2014 art book from Titan.

Congrats to all of the winners and finalists in all of the categories!

* What a great moment to see Jay Lake’s daughter Bronwyn, as she accepted his Locus Award for Last Plane to Heaven winning Best Collection.

JAYLAKEFTW

* Congrats to Irene Gallo as Tor.com scored the award for Best Magazine. Well earned, Irene.

* Was great visiting with Brom as he accepted the award for Spectrum 21 (winner, Best Art Book).

* In fact, our Locus Awards banquet table racked up a fair share of hardware as Brom, Del Rey editor Michael Braff, and me were all seated with each other (as luck would have it). Michael ended up accepting for Joe Abercrombie’s TWO Locus Awards wins, as well as George R. R. Martin and Gardner Dozois’ win for Rogues, as Best Anthology.

* Really enjoyed visiting with Patty Garcia, Tor’s Director of Publicity (#Mexican@sFTW!!), Liz Gorinsky, Brooks Peck of the EMP, Jack Skillingstead, Daryl Gregory, Francesca Myman, Arley Sorg, Eileen Gunn, Leslie Howle, Adam Christopher, Ramez Naam, Duane Wilkins, and of course, Liza Groen Trombi, who made this whole endeavor come together (with Connie Willis emceeing the awards ceremony). I’m sure I’m forgetting a ton of people, but I want to say a huge thanks to all of the new friends made, and all who visited my table of Loteria merchandise. Special shoutout to Wilde Rover in Kirkland for hosting Loteria Fest on Thursday night and all who came and played (thanks to Brenda Cooper, Jan Greylorn, and of course, Teeny Ayento)!

In a year when we’ve seen science fiction/fantasy awards suffer tremendous abuse, both from without and within, there’s something extra-special about winning the Locus Award this year. It’s because the ballot of nominees felt more like an artful snapshot of excellent works and creators from the most recent calendar year, rather than a collage of vandalisms. This ballot and the winners are decided by science fiction / fantasy readers and art lovers. It’s a people’s award, open to all. I’m grateful and honored to be recognized within such a diverse, world-class gallery of talent, and it only inspires me to be better with my next works.

2015 LOCUS AWARD FINALIST!

2015 LOCUS AWARD FINALISTS (Artist). Clockwise from top left: Charles Vess, Shaun Tan, Jim Burns, John Picacio, Michael Whelan.

2015 LOCUS AWARD FINALISTS. Clockwise, top left: Charles Vess, Shaun Tan, Jim Burns, John Picacio, Michael Whelan.

Congratulations to this year’s Locus Award Finalists! And wow, what an amazing list it is, across all categories. In a year marked by heated controversy for sf/f awards, this nominations list is especially notable and remarkable.

Hugely grateful and honored to be amongst the five finalists in the Artist category, along with the stellar talents of Jim Burns, Shaun Tan, Charles Vess, and Michael Whelan. I admire all four of these artists and where they’ve taken their careers lately, so thank you, Locus Magazine voters. Very appreciated.

Good luck to all! 🙂

Here’s the rundown:

The Locus Science Fiction Foundation has announced the top five finalists in each category of the 2015 Locus Awards.

Winners will be announced during the Locus Awards Weekend in Seattle WA, June 26-28, 2015; Connie Willis will MC the awards ceremony. Additional weekend events include author readings with Willis and Daryl Gregory; a kickoff Clarion West party honoring first week instructor Andy Duncan, Clarion West supporters, awards weekend ticket holders, and special guests; panels with leading authors; an autograph session with books available for sale thanks to University Book Store; and a lunch banquet with the annual Hawai’ian shirt contest, all followed by a Locus party on Saturday night.

SCIENCE FICTION NOVEL

FANTASY NOVEL

YOUNG ADULT BOOK

FIRST NOVEL

NOVELLA

NOVELETTE

  • “Tough Times All Over”, Joe Abercrombie (Rogues)
  • “The Hand Is Quicker”, Elizabeth Bear (The Book of Silverberg)
  • “Memorials”, Aliette de Bodard (Asimov’s 1/14)
  • “The Jar of Water”, Ursula K. Le Guin (Tin House #62)
  • “A Year and a Day in Old Theradane”, Scott Lynch (Rogues)

SHORT STORY

ANTHOLOGY

COLLECTION

MAGAZINE

  • Asimov’s
  • Clarkesworld
  • F&SF
  • Lightspeed
  • Tor.com

PUBLISHER

  • Angry Robot
  • Orbit
  • Small Beer
  • Subterranean
  • Tor

EDITOR

  • John Joseph Adams
  • Ellen Datlow
  • Gardner Dozois
  • Jonathan Strahan
  • Ann & Jeff VanderMeer

ARTIST

  • Jim Burns
  • John Picacio
  • Shaun Tan
  • Charles Vess
  • Michael Whelan

NON-FICTION

ART BOOK

For more information about the Seattle event and for Locus Awards and Locus Workshop ticketing, please visit the 2015 Locus Awards Information Page.