BayCon, Leprecon, Capricon….oh my!

Wanted to give a belated shoutout to a few cons, and hard-working con teams. I’ve been the Artist GoH at all three of these this year. While I’ve been able to thank each of them privately, I haven’t had a chance to thank them publicly (thanks to tiny pesky things like Juggling Multiple Major Deadlines, Putting Out Fires, and Working 18-Hour Days). 😉 LOL

CAPRICON 2011

Back in February, I was Artist GoH at Capricon, which was chaired by Erik Olson. John Scalzi was Author Guest of Honor and packed the rooms wherever he went. Janice Gelb and Stephen Boucher are two of the coolest fans you will ever meet. Helen Montgomery ran a phenomenal slate of programming for all of us. Panels were well-attended and well-executed. Tammy Coxen ran the Green Room like a four-star gourmet kitchen (not kidding). I regret not spending more time there. Steven Silver and Samantha King took care of me as Guest Liaisons. Dave McCarty was terrific and turned me on to the greatness of Chicago-style Italian roast beef sandwiches. He’ll also be chairing the 2012 Worldcon. I have very high hopes for that show because of Big Dave’s enthusiasm and fresh ideas, and because of Helen. I signed up for that Worldcon onsite, almost purely because I believe in them.

And last but not least, I am a Kerry Kuhn fan. She ran the Art Show at Capricon, and took care of her artists as well as any Art Show director I’ve ever seen. When Kerry runs an Art Show, the show scratches the Artists’ checks onsite, and the artists are handed their check as they walk out the door. Brilliant. Kerry is amongst the few that manages this detail perfectly. Capricon’s Art Show was a big success. She ensured that traffic kept pouring through the doors and that big money was spent. Big applause for her, and for all of the Capricon team.

LEPRECON 2011

I was Artist GoH at Leprecon one month ago, and it was located at one of my favorite con hotels ever, the Tempe Mission Palms. It’s very hard to have a bad con when you have a great locale like this one. Lee Whiteside chaired. Mike Willmoth was Treasurer and Guest Liaison. There seemed to always be 17 Mike Willmoths doing 17 jobs simultaneously. He’s very good at that. So is Lee. Kate Moor looked out for me as well, while Cathy Book ran programming. Had a blast with the Darrell K. Sweet family, Ellen Klages, Chris Merle, Glenn Glazer, and Tina Worley. Mad shoutout to the hard-working Dave Gish and Niels McLellan. Both were terrific and took good care of the artists in the Art Show. Dave’s father Ray Gish was a long-time beloved Art Show director in the Southwest and Dave continues the tradition of excellence. Very grateful for everyone’s efforts and hard work.

BAYCON 2011

Just got back yesterday from BayCon in Santa Clara, CA. The printing on their program book cover may be amongst the finest I’ve ever seen. Made me do a double-take when I first saw it. I think chairman Robert Toland had a big hand in this, and that was one of many things he got right. He’s also hilarious. Wish we would’ve had more time to hang out, but we both had our duties and they were many. Big thanks to Michael Siladi, Alison Stern, Tycho Petersen, Cruz Arellanes, Albert Baker, Sally Rose, and all of the Art Show and Tech heads and teams that worked with me.

When I walked into the Art Show room, there was a super-high ceiling that would’ve defeated most cons, but not Baycon. Thanks to the Art Show and Tech teams combined efforts, they rigged a drop ceiling grid of lights that was genius and well-done. Big applause to all of them and the gofers for pulling that off. It was literally the difference between night and day.

BayCon also had one of the coolest con t-shirts I’ve yet seen using my artwork. Very well done, thanks to Scott Dennis.

I loved the bar area at this con, and the way it circulated into an outer seating area toward the pool. It’s a near-perfect diagram for a social bar, and again, Tycho was brilliant as Hotel Liaison.

2011 Hugo nominee Christopher J. Garcia was in the house and is quite frankly one of my favorite people on the planet. The big family-style Chinese dinner we had with his girlfriend Linda, Author Guest of Honor Mary Robinette Kowal, Sandra Tayler, Marty & Diane Halpern, and Jacob & Rina Weisman was one of my con highlights.

I previewed some sneak peeks of a few 2012 A SONG OF ICE AND FIRE Calendar artworks and was gratified to hear cheers and applause from the audiences that got to see them. Thanks, folks!

Shoutouts to Dani and Eytan Kollin, Jaym Gates, Josephine Gray, Glen Barrett, Kent Brewster, Anders Hudson, Jeremy Lassen, and Francesca Myman.

Last but not least though — mad shoutout to Tobi Schneider who completely rocked this con. She was the MVP because she joined as Guest Liaison less than a month before con, and worked tirelessly to make everything right. There was nothing she couldn’t do, and she never lost her cool. Her hard work and efforts will be one of my enduring memories of this con. Tobi — take a bow!!

Bay Area science fiction/fantasy fans have the reputation of being amongst the sharpest and most literate sf/f fans anywhere in the US. They are. They know their stuff backwards and forwards, and it was an honor to be amongst them. Bartenders extraordinaire Kevin Roche and Andy Trembley invited Mary and I to a BASFA meeting on the last night of the con, and it was a good cap to the weekend. Thanks to the BASFAns for their kindness and hospitality.

Back home now and time to get back to work. And again — huge thanks to all at Capricon, Leprecon and BayCon for their hard work and great efforts. Very honored and grateful that we’re all in this community together. Looking forward to seeing many of the above at Worldcon in Reno.:)

2011 Chesley Awards Finalist x 3!

Wow! I’m a 2011 Chesley Awards finalist! Just landed home from BayCon 2011. Thanks to Dani Kollin, I just discovered that I’m a finalist in three Chesley categories this year. Wow, wow, wow. Thanks to all ASFA voters for these noms. I’m very grateful to be amongst this year’s stellar list of works. Here are my three nominated works, followed by this year’s complete list of nominees.

Finalist for Best Paperback Cover Illustration:


John Picacio
Elric: Swords and Roses
by Michael Moorcock
Del Rey
December 2010

************

Finalist for Best Hardcover Illustration:


John Picacio
The Waters Rising
by Sheri S. Tepper
Harper Voyager
August 2010

************

Finalist for Best Interior Illustration:


John Picacio
Elric: Swords and Roses
by Michael Moorcock
Del Rey, December 2010

************

Big thanks to my art directors on the above works — David Stevenson (Del Rey), Richard Aquan (HarperCollins), and Betsy Mitchell (Ballantine/Del Rey).

Here’s the complete list of 2011 Chesley Awards nominees. Congrats to all! Very honored and grateful to be in your company!

***Paperback

Volkan Baga, for The Zombies of Oz by Christian Endres; Atlantis, November 2010

Jason Chan, for Geist by Phillipa Ballantine; Ace, November 2010

Jon Foster, for Dreadnought by Cherie Priest; Tor, September 2010

Todd Lockwood, for The Ragged Man by Tom Lloyd; Pyr, August 2010

Stephan Martiniere, for Ares Express by Ian McDonald; Pyr, August 2010

Anthony Palumbo, for Yarn by Jon Armstrong; Night Shade Books, 12/2010

John Picacio, for Elric: Swords and Roses by Michael Moorcock; Del Rey, December 2010

Dan Dos Santos, for Alien Tango by Gini Koch; DAW, December 2010

***Hardcover

Kinuko Y. Craft, for Midsummer Night by Freda Warrington; Tor, November 2010

Don Maitz, for Blasphemy by Mike Resnick Golden Gryphon Press, 08/2010

Gregory Manchess, for Spectrum 17 edited by Cathy Fenner & Arnie Fenner;Underwood Books, Nov. 2010

John Picacio, for The Waters Risingby Sheri S. Tepper; Harper Voyager, August 2010

Michael Whelan, for The Way of the Kings by Brandon Sanderson; Tor, August 2010

***Magazine

Julie Dillon, for Clarkesworld #48; September 2010

Nick Greenwood, for Orson Scott Card’s Intergalactic Medicine Show #17; June 2010

David A. Hardy, forAnalog; April 2010

Audrey Lazarev, forClarkesworld #50; November 2010

Sergio Rebolledo, forClarkesworld #40; January 2010

James Ryman, for Heavy Metal; January 2010

***Three-Dimensional

Thomas S. Kuebler, Scream Queen; mixed media

David Meng, Amphibiana; mixed media

Mark Newman, Eel Walker; bronze

Michael Parkes, The Letter; bronze

Jordu Schell, Ixana; mixed media

Vincent Villafranca, The Dogs of War; bronze

***Interior Illustration

Jason Chan, Vilcabamba by Harry Turtledove; Tor.com, 2010

Jon Foster, Four Horsemen, at Their Leisure by Richard Parks; Tor.com, April 2010

Donato Giancola, Middle Earth: Visions of a Modern Myth by Donato Giancola; Underwood Books, 10/2010

John Picacio, Elric: Swords and Roses by Michael Moorcock; Del Rey, December 2010

Keith Thompson, Behemoth by Scott Westerfeld; Simon Pulse, October 2010

***Unpublished Color

Daren Bader, Isis; oil

Julie Dillon, Planetary Alignment; digital

David A. Hardy, Portals to Infinity; acrylic

Omar Rayyan, The Favorite; oil

Matthew Stewart, Waterfall Dragons; oil

Raoul Vitale, Torin’s Quest; oil

***Unpublished Monochrome

Eric Braddock, Highborne; graphite & white charcoal on toned paper

Anthony Francisco, Tikbalang; digital

Ed Ko, Drawing for Beautiful Grim; pencil

Petar Meseldžija, UNK!; pencil

Ian Miller, Triptych; ink

David Palumbo, Zombie Girl; acrylic

***Product

Bob Eggleton, Dragon’s Domain: The Ultimate Dragon Painting Workshop; Impact, September 2010

Donato Giancola, St. George and the Dragon, promo art for Dragon*Con 2010

Lars Grant-West, Pact of the Blind, promo art for IlluXCon 3

David Palumbo, Transcend (aka Judgment), Heavy Metal tarot card; 2010

Sam Weber, Shadow Rising by Robert Jordan, promo art for Tor ebook; January 2010

***Gaming

Daarken, Harbor Serpent (Magic card, Magic 2011 core set); WotC, July 2010

Lucas Graciano, Amorphous Drake (Legends of Norrath); Sony Online Entertainment, 2010

Kekai Kotaki, Gaea’s Revenge (Magic card, Magic 2011 core set); WotC, July 2010

Howard Lyon, Eel Umbra (Magic card, “Rise of the Eldrazi” set); WotC, April 2010

Matthew Stewart, Bloodshot Trainee (Magic card, “Scars of Mirrodin” set); WotC, October 2010

L. A. Williams, Maritime Guard (Magic card, Magic 2011 core set); WotC, July 2010

***Art Director

Lou Anders — Pyr Books

Irene Gallo — Tor

William Schafer — Subterranean Press

Jon Schindehette — Wizards of the Coast

David Stevenson — Ballantine / Del Rey

***Lifetime Artistic Acheivement

Brom

Jeffrey / Catherine Jones

Ian Miller

Moebius/Jean Giraud

Darrell K. Sweet

Boris Vallejo

ASFA has full galleries of all of the nominated works! Check ’em out!

On to Baycon

I’m Artist Guest of Honor at BayCon this weekend, along with Author GoH & 2011 Hugo Award finalist Mary Robinette Kowal as well as Fan GoH Bobbie DuFault & Toastmaster Martin Young. Highlights of my schedule include:

**** Saturday 2:30p: Artist GoH Interview

As acquiring editor for Golden Gryphon Press from 1999 through 2007, Marty Halpern acquired eleven book covers from artist John Picacio. Some of these covers were for books by such well-known authors as Jeffrey Ford, George Alec Effinger, and Lucius Shepard. This talk will be about the process of developing covers for books from the perspective of an artist working with an editor.
Marty Halpern, John Picacio

**** Saturday 4:00p: The Worlds of George R. R. Martin

Artist John Picacio, who has done the artwork for the 2012 A Song of Ice and Fire Calendar, speaks about his work in that universe, and Kevin Andrew Murphy talks about writing in the Wild Card universe.
Kevin Andrew Murphy, John Picacio (M)

(Note to GRRM / Game of Thrones / 2012 Calendar fans — I highly recommend you show up at this panel. You’ll be glad you did. That’s all I’m sayin’…:))

**** Sunday 4:00p: The Art of John Picacio

Artist Guest of Honor John Picacio presents a slideshow and question-&-answer session discussing recent artworks from his Hugo Award-nominated body of book cover and institutional work, and the process and ideas behind their making.
John Picacio

(Again, GRRM & ASOIAF fans — same note as above. :))

***********

I’ll be on several other panels as well, plus I’ll have plenty of work hanging in the Art Show. Don’t be a stranger!

2012 ASOIAF Calendar / Bran Stark Preview

This is for all of you good and persistent folks who have been emailing and messaging me to show you something… ANYTHING… from inside the 2012 A SONG OF ICE AND FIRE Calendar.

Ask and ye shall receive. Give thanks to Bantam‘s Anne Groell (GRRM’s editor) and George himself for giving the nod on this as well.

Presenting, a cropped sneak peek of my artwork for Bran Stark. He’s January of the 2012 Calendar. There’s more to this image than what you’re seeing here, but hey — that’s why they call ’em sneak peeks, rather than the whole enchilada. 🙂

Most of you have already seen the cover featuring Ned Stark, but if not, here you go. Again, the calendar will debut at San Diego Comic Con this July. You can already preorder it right now (which still amazes me considering we’re not even halfway to 2012 yet).

Multiple choice question for you. Of the following, if Bantam greenlights more sneak peeks like this, who would you most want to see next?

A. Arya Stark
B. Melisandre
C. Sandor Clegane, The Hound

Winter Is Coming…

Hard to believe because it’s May in South Texas, but I think Winter isn’t just coming but in fact, has arrived. Behold the advance copies of the 2012 George R. R. Martin / A Song of Ice and Fire Calendar, featuring Ned Stark on the cover.

I flipped through the whole, beautiful, finished printed thing last night for the first time. Whew. Still processing it all, but needless to say, I’m extremely proud of it. I hope you folks out there dig it too. I’ll have MUCH, MUCH more on this in the coming days and weeks, including (I hope) some sneak peeks.

The calendar will first go on sale at San Diego Comic Con this July where George and I will be signing them at the Bantam booth. I’ll also have calendars available at my own booth too (#4600, I believe?). And then shortly thereafter, I expect the calendars will be available in bookstores everywhere. If you can’t make it to SDCC, Amazon will have it in your hands as soon as it releases in July.

10

Today’s my tenth anniversary. April 26, 2001 was the day that I began life as a fulltime freelance illustrator in the worlds of science fiction, fantasy and horror publishing. That was my last day of what many would call a promising and safe professional career in architecture, and pursued what many would call an extremely risky career as a fulltime freelancer. Why do something so boneheaded? Pure and simple, I wanted to be a fulltime professional artist more than anything in the whole world. That simple. Still do.

I always say that I’m an illustrator trying his best every day to be an artist. I don’t think you get to be an artist just because you can paint or draw well. It also takes years of seeing and shaping a fresh vision of the world that others can share too. It’s more than just mechanical skill. And I never believed the stereotype that all artists are flakes. Some of the savviest, strongest people I know are pro artists. It takes guts to take chances, which is what the best ones do. And it takes time and experience to build a life like that.

Being a fulltime pro artist is my world. Back on April 26, 2001, I had a mortgage, car payment, credit card debt, and the needs of adult survival. The chances of living in a town like San Antonio, Texas while all of my clients were in New York City, and trying to build a client list, on the fly, while not losing my livelihood was…daunting. Understatement of a decade. Advice for those trying to emulate the same? Have a strong stomach, and if not, get one fast. 🙂

I’m not interested in reminiscing here about these past ten years. I’d prefer my last ten years of work to do the talking. Hopefully it’s done some already. I could list the trusted friends and associates I’ve grown up with in this field, but they know who they are. And yup, I’ve been fortunate to win a few awards and recognitions along the way. Grateful for all, and actually THAT might be the understatement of the decade. 🙂

But here’s a hard truth I can proudly say today that I couldn’t until now — at last count, over this last ten years, I’ve produced over 120 cover illustrations for major science fiction, fantasy and horror books. In other words, I’ve averaged one major published piece of cover art in sf/f/h for every single month of the last ten years. I don’t know how many pro artists can match that book cover ratio in that span, but I suspect the number is….tiny. And by the way, that’s not counting the piles of magazine covers and interior artworks and dozens of book interior illos that I did while producing those 120+ covers in ten years.

What that number means to me is I came to work every single day, blue-collar all the way, and never quit for even a day. Nothing more, nothing less. And yeah, that may be the thing I’m most proud of.

What happens in the next ten years? No idea. I didn’t go into the previous ten with 120+ sf/f/h covers as a goal. I hope I can continue to make art, and continue to get better at it. I want to be a great artist. That’s what I wanted more than anything in the world on April 26, 2001. That’s what I want today.

2011 Hugo Award Finalist!

Great news announced yesterday: I’m a 2011 Hugo Award finalist in the Best Professional Artist category. Huge thanks to all who nominated me. Deeply appreciated! 🙂 Heard a few questions yesterday from people who couldn’t remember if I’d won one of these already, and in one case, believed that I already had. LOL

For the record, this is my seventh consecutive Hugo nomination for Best Pro Artist, but no, I have not previously won a Hugo. I’ve finished in second place the last three years. Will this be the magic year? I have no idea, and no say in the matter. That’s up to you, the voters.

My 2010 published work can be found here and includes cover art and over 20 interior illustrations for ELRIC: SWORDS AND ROSES (pictured here, pub. by Ballantine/Del Rey); cover art for Lauren Beukes’ Clarke Award-finalist ZOO CITY (Angry Robot); and covers for Mark Chadbourn’s DARK AGE trilogy (such as THE DEVIL IN GREEN), amongst several more.

Very grateful and honored to be in the esteemed company of fellow Pro Artist nominees Daniel Dos Santos, Bob Eggleton, Stephan Martiniere, and Shaun Tan.

The full list of 2011 Hugo nominees is here. Congrats to all! I’ll be in Reno for Renovation: the 2011 World Science Fiction Convention this August. Will be a great time and hope to see many of you out there.

Worldcon 2011: Good Year For The Artists?

Wow, it’s been a while since I touched base here (smooths off the blog dust). Good news: I’ll soon be able to start showing all of the art I’ve recently made while not blogging. Been quite a push these last few months, but I’ve got a lot to show for it, so I’m happy.

Today, I’ve got a few words to share rather than pictures.

Wanted to give a shoutout to several people who are working very hard to make this year’s World Science Fiction Convention a potentially great convention for sf/f artists. For those that haven’t been to Worldcon (same show, shorter moniker), you’re probably asking, “Isn’t Worldcon always potentially great for sf/f artists?” Answer = some Worldcons more than others for the art crowd.

I’m especially excited about this year’s show in Reno in August, from an art standpoint.

Five reasons:

1. Art Night: for the first time, Worldcon is designating the second evening of the convention as ‘Art Night’ to celebrate the visual arts in sf/f. They’re featuring events and activities spread across the exhibit hall and program rooms. Activities will range from extended hours in the Art Show to featured artist demonstrations and interactive maker activities. For artists, every night is ‘Art Night’ but I think it’s exciting that the con has realized that if it wants to attract the best pro sf/f talent, then it should celebrate the sf/f arts in a concerted way. Will be very fun and hopefully they’ve created a new Worldcon tradition.

2. Meet The Artist: Kaffeeklatches are a long-standing tradition at Worldcons and better sf/f cons. They’re little gatherings between a single author and/or artist and a small gathering of his/her fans. There’s usually a signup sheet involved and they’re scheduled programming items. I don’t think this year’s Worldcon intends these ‘Meet The Artist’ hours as kaffeeklatches in the usual sense, but perhaps in similar spirit. It sounds like it’ll be designated hours when artists are encouraged to visit with art fans and collectors in the Art Show which I think is good for driving traffic and energy there. I’ve seen conventions where the Art Show becomes a forgotten zone because Worldcons tend to place all of their heavy emphasis on literary functions. It’s good to see this year’s Worldcon making sure that the Art Show will be vital and vibrant.

3. Artist Showcase Book: A very cool idea. I believe Worldcon is adopting this idea from the success seen at IlluXCon with their artist souvenir book. This will be a full-color book available to Worldcon members featuring bios and art from all of the artists exhibiting in the Art Show. This is separate from the usual Program Book seen at most Worldcons, and gives featured exposure to the Art Show’s artists.

Worldcons cost significant money in order to attend: registration fees, hotel, airfare and spending money, whether they be authors, agents, editors, publishers, retailers, fans, or yes, artists. On top of all of that, no one spends more to attend a Worldcon than an Art Show artist (except for possibly retailers in the dealers room). Think about the very expensive framing and shipping costs for the art, and in some cases, insurance for same. And that prep time is valuable time spent away from professional gigs for the pro artists. And then they have to ship and insure the art to get it home again as well. This makes it tough for us professional artists to justify the cost of a Worldcon every year.

Considering that, I’m surprised an Artist Showcase Book hasn’t been ventured sooner to draw attention to the artists that make an Art Show viable and vital, but kudos to this year’s Worldcon for doing so. It’s a great move in the right direction.

4. All-Star team of showrunners: No successful convention happens without people behind the scenes doing the heavy lifting to carry it off. Every year Worldcon changes cities. Different organizing committees run it each time — a new animal from year to year. That said, this year’s organizing committee is like the NBA All-Star team of conrunners. Only they know the strange brew of circumstance that brought them together but if you’ve attended successful sf/f cons, the sharp-eyed will recognize common denominators like Ian Stockdale, Vincent Docherty, Laurie and Jim Mann, Patty Wells, Ben Yalow, John Lorentz, Deb Geisler, Geri Sullivan, Karen Meschke, and several other bright lights in the committee listings over the years. They’re people who come from different parts of the US, and even different parts of the globe, and work hard on these cons for nothing more than the love of the game. This year’s Worldcon features a group of the very best of the best conrunners in fandom, working behind-the-scenes. That’s not normal. I’m not gonna jinx these people by saying this year’s Worldcon will be a perfectly-tuned, flawless con, but we can all expect it will be as expertly produced as there’s been in recent memory. If you’re a professional artist sitting on the fence wondering when is a good year to do Worldcon, this would be one of those years where the stars align in your favor because the talent behind-the-scenes is as good as the talent in the limelight (art stars such as Boris Vallejo, Julie Bell, Bob Eggleton, Richard Hescox, Dave Palumbo, along with leading art directors such as Lou Anders, Irene Gallo and more).

5. Anne Gray and Colin Harris: If you’re a pro artist, these are two names you should remember. When you get to Worldcon, give ’em thanks if you see them. Along with Jannie Shea, they’re the ones that have really spearheaded the effort to make this year’s Worldcon an attractive and compelling event for the visual arts. They’ve developed the ideas above and have consulted artists and art directors such as Lou Anders, Bob Eggleton (and even me) in order to raise Worldcon’s game for artists. I think they’re gonna be successful. All they want now is for the pro artists to attend and bring their art and talent to this year’s show. I’ll be there, and I can’t wait to see how this turns out. If you’re a pro artist, have a look at the show’s website. This could be a very good year for us artists. Let’s make this year’s Worldcon a memorable one for sf/f art.

My 2010 Published Work

Happy New Year: here’s a look back at my 2010 published output. Included are three of the 22(!) interior illustrations published in Michael Moorcock’s ELRIC: SWORDS AND ROSES (Ballantine/Del Rey). As noted by Tor.com and Locus Magazine, the awards nomination season is upon us again (Hugos and otherwise). If you wish to reference this list for future consideration this year, this link will come in handy. Enjoy! 🙂

(above)
Cover illustration for
ELRIC: SWORDS AND ROSES
by Michael Moorcock
Ballantine/Del Rey
December 2010

(above)
One of 22 interior illustrations for
ELRIC: SWORDS AND ROSES
by Michael Moorcock
“Elric: Of Battle and Exile”

(above)
One of 22 interior illustrations for
ELRIC: SWORDS AND ROSES
by Michael Moorcock
“Elric and Stormbringer: Pieta”

(above)
One of 22 interior illustrations for
ELRIC: SWORDS AND ROSES
by Michael Moorcock
“Elric vs. The Black Anemone”

(above)
Cover illustration for
THE DARK AGE: THE DEVIL IN GREEN
by Mark Chadbourn
Pyr
May 2010

(above)
Cover illustration for
THE DARK AGE: THE QUEEN OF SINISTER
by Mark Chadbourn
Pyr
June 2010

(above)
Cover illustration for
THE DARK AGE: THE HOUNDS OF AVALON
by Mark Chadbourn
Pyr
July 2010

(above)
Cover illustration for
ZOO CITY
by Lauren Beukes
Angry Robot Books
December 2010

(above)
Cover illustration for
THE WATERS RISING
by Sheri S. Tepper
HarperCollins/Eos
August 2010

(above)
Cover illustration for
JUMP GATE TWIST
by Mark Van Name
Baen
July 2010

(above)
Cover illustration for
ROBOTS & MAGIC
edited by Steven Silver
NESFA Press
February 2010

(above)
Cover illustration for
THE BEST OF JOE R. LANSDALE
edited by Joe R. Lansdale
Tachyon Publications
February 2010

ImagineFX #64!

Just arrived yesterday in my mailbox — the December issue of ImagineFX Magazine, #64. Inside is a deluxe six-page interview featuring Yours Truly. Above is the opening spread.

I’m still trying to figure out how the editorial staff crammed so much art and text onto six pages and made it flow so naturally. There’s a LOT of info in this interview, and although I give plenty of interviews these days, this one was a special pleasure.

ImagineFX is the best English-language magazine about sf/f art because quite frankly, it treats sf/f art with the most scrutiny and respect. It’s a UK-based mag, and I first encountered it several years ago at a Borders bookstore. The cover price was daunting ($16!!!). I gave it a try. Overall, I was impressed, but the mag skewed toward technical know-how for Photoshop purists and pixelpushers. Not so much for me, as my work was a hybrid between traditional and digital media, and I very much enjoyed interviews and insights from traditional media artists as much as digital ones. In other words, it was an exciting mag, but the scope seemed a bit limited and incomplete.

As the years have gone along, the mag has expanded its scope and diversity, becoming richer and more balanced across all media and geography. It’s maintained the early digital purist roots but there’s much more coverage of the entire artist spectrum of sf/f — traditional, digital, and in-between. One of ImagineFX’s great strengths is its international flavor as it spotlights artists around the globe — US, UK, Australia, Thailand, China, France, Germany, and round and round. So good, and so eye-opening. So much so, that I started subscribing last year, and it’s become the only industry magazine that I take time to read anymore. Frankly, while there are several better-known sf/f magazines that cover the sf/f field, none of them treat sf/f art with the columnspace and critical insight that ImagineFX does. I love reading about the writers of sf/f and there are tons of publications and venues to find that stuff, but when I want to see inside the head of a particular sf/f artist, very few print venues regularly offer insightful interviews about the current scene. ImagineFX tackles that task month after month, and that’s why I keep coming back (ditto to Sidebar Nation, which is also the Real Deal for sf/f art interviews, but in podcast form).

At any rate, I’m honored to be profiled in the pages of this latest issue, which is packed with great stuff, including an overview of the history of Dungeons & Dragons Art. US readers — the issue should appear on your newsstands within the next couple of weeks. Definitely worth your hard-earned nickels this Xmas season. 🙂

SPECTRUM 17

Happy day here: just received SPECTRUM 17: THE BEST IN CONTEMPORARY FANTASTIC ART. This is one of the year’s big art celebrations — a juried competition that annually selects the best in sf/f art and compiles the selections into one breathtaking collection.

The cover illustration this year
is by one of my favorite artists, Gregory Manchess, and of course, the book is edited by its founders, Cathy and Arnie Fenner. I have two pieces included in this year’s annual, both in the Book category. The first is my alternate artwork for James Dashner’s THE 13TH REALITY: THE JOURNAL OF CURIOUS LETTERS (Simon & Schuster/Aladdin), art directed by Lisa Vega (above). The second is my cover artwork for Mark Chadbourn’s AGE OF MISRULE: WORLD’S END (Pyr), art directed by the incomparable Lou Anders.

Thanks to these two art directors for making these illustration assignments possible, and huge thanks to the Fenners and the SPECTRUM jury for including me in this year’s magnum opus. It’s a phenomenal set of art and artists. I’ll spend the next week carefully savoring each page on my work breaks, absorbing it all for the first time, which has become a favorite November tradition.

Word to the wise: the hardcover editions of these books sell out remarkably fast, so if you’re a hardcover hound like I am, you should get yours now. No joke. 🙂

Fencon 2010

(Photos, clockwise from top: My Art Show display at FenCon; Vincent Villafranca’s work-in-progress THE DOGS OF WAR; Rie Sheridan Rose in full Victorian regalia) Took me a few days to post this, but before this week disappears, I wanted to say a few words about this year’s Fencon in Dallas, TX (Addison, TX, to be specific). In short — take a bow, Fencon. You came, you saw and you rocked this past weekend. I had a blast from start to finish. Plenty of highlights, including:

Rhonda Eudaly – First-class. She conducted guest relations as well as any con can, anywhere. She made every guest feel like family. She stopped at nothing to ensure every guest received A-list treatment. How can anyone not be happy when their complimentary goodie bag contains beer and rock-em, sock-em robot rings?

Jimmy Simpson – Rock-solid. This man knows his art and knows how to run a quality art show. When you’re an artist deciding whether or not to invest time and labor in an art show, the show director is often the difference-maker. Jimmy’s one of the best in the business, and I already look forward to when I can again participate in a Jimmy Simpson show.

Andy Trembley & Kevin Roche – Fan GoHs, and extremely cool guys. These guys know costuming like nobody’s business, and they know their premium alcohols. Had a terrific time with them and look forward to any con where they’re around.

Opening Ceremonies – Spider Robinson GoHed via Skype. He didn’t physically attend the con as Author GoH, but was very much a virtual presence throughout.

Vincent Villafranca – As always, more phenomenal work from one of the best sculptors in the field. He unveiled a work-in-progress called ‘The Dogs of War’ that blew me away.

Jessica Wade — Ace/Roc editor extraordinaire. How cool is she? She’s so cool that a mere autographed headshot of her brought money in an auction. She’s so cool that she can make the phrase “for reals” ring in my head for days and I’m amused. For reals. 🙂

The Lansdales — Joe, Kasey, and Karen. Always a pleasure with them. Saturday night, we dined at the Clay Pit along with Jessica and my pal Sanford Allen. It was one of my favorite meals in a while. Best company, conversations, and great Indian food all in one. On Sunday, Kasey belted out a one-hour singing performance at FenCon and if I didn’t have a simultaneous panel commitment, I would’ve seen more. Fortunately, I was able to catch a few minutes at the end and she was awesome.

(Photos clockwise from top: (l to r): Sanford Allen, Andy Trembley (back), Kevin Roche, Stina Leicht; Guest of Honor goodie bag contents (note the Rock-em, Sock-em Robot Rings); Andy Trembley with smooth rocket fuel)

Enjoyed seeing the great Robert J. Sawyer, P.N. Elrod, Chris Merle, Mel Tatum, Caroline Spector, Cat Conrad, Rachel Caine, Shanna Swendson, Karen Meschke, Brad Foster, David Lee Anderson, Rocky Kelley, Stina Leicht, Jeff & Maya Bohnhoff, John Randall, and many, many more whom I wish I could remember in my current deadline-frenzied state.

Special shoutout to Jay – he’s been an Elric fan for over 30 years and gave one of the best compliments ever. Said he walked in the Art Show, saw my 5-foot tall vinyl print of ELRIC: THE STEALER OF SOULS and felt that the image embodied the Elric he’d always seen in his head but never seen until then. Really made me feel good to hear that.

If you’re a pro or fan and you’ve never experienced FenCon, these folks know what they’re doing and their attendees know how to have a great time. It’s a very fun show and this won’t be my last. I was honored to be there. Huge thanks to the whole con staff including the aforementioned Rhonda and Jimmy, Tim Miller, Tim Morgan, Julie Barrett, Bobb Waller, Ed Dravecky, Becky Demonja and everyone who made the show great.

ELRIC: SWORDS AND ROSES this December

Here’s one of my interior illustrations from Michael Moorcock’s ELRIC: SWORDS AND ROSES, forthcoming in December from Del Rey. This original is pencil on illustration board, with a bit of white acrylic for good measure. It debuted at Dragon*Con this past weekend and will be on display at Fencon in Dallas next week, along with several other Elric originals. The cover art for ELRIC: SWORDS AND ROSES has received so much enthusiastic reaction, and I’m grateful and pleased to hear that. Many Dragon*Con attendees told me how much they’re looking forward to the book because of the art, and that’s terrific. Michael Moorcock is The Man.

This will be the sixth book in Del Rey’s Elric omnibus series. I did the cover and interiors for the first volume, ELRIC: THE STEALER OF SOULS, and it’s been an honor to be associated with the art for this series along with Michael Kaluta and Justin Sweet. I look forward to seeing the finished book when it debuts in December!

Dragon*Con 2010

Dragon*Con 2010 is a wrap. What a show. I’m still assessing it. This show’s definitely on my radar from here on. This was my first Dragon*Con as an exhibitor and guest artist, and I was massively impressed. Huge turnouts at panels, a thriving art show, great energy, great people, terrific marketing, superior guest services from the D*C staff — they’ve really got their act together. The audience is here, no question about it.

Best of times with Lou Anders, Irene Gallo, Vincent & Michelle Villafranca, Donato Giancola, Todd Lockwood, Marc Scheff, Jim Minz, Jennifer Heddle, Deanna Hoak, Mary Robinette Kowal, Cherie Priest, Farah Mendlesohn, Kate Baker, Stu & Stephen Segal, Mike Resnick, David Alastair Hayden, great artists, authors (shoutout to all of the Pyr authors), fans, and friends new and old — too many for my bleary memory to remember on the fly here.

Really enjoyed meeting the mighty Sidebar Nation crew for the first time. Terrific cats. Love listening to their podcasts. They’re the real deal and know their stuff. Did a short fun interview with them. Hopefully down the road, we’ll chat again at greater length.

I exhibited in the D*C Art Show and of all of my pieces for sale, only one will be coming home. Everything else on the walls sold out. Plenty of small prints sold and I sold out of all of my art books before the last day even began.

Shoutout to Stu Segal for coordinating the Hugo Awards Breakfast and Stroll with the Stars. The man is tireless. Special thanks to all who make Dragon*Con run so smoothly, including John and Anne Parise who ran the Art Show. Congrats on a huge success and an amazing weekend.

Here’s a link to a Flickr set of photos from this year’s D*C.

Dragon*Con 2010: Where & When To Find Me

Here’s a map showing where you can find me at this year’s Dragon*Con. I’ll be featured in the Art Show at the Hyatt Regency, with a full art display plus art books, prints and limited edition sets for sale. You can find me at a table in front of my display for at least a few hours each day. Hours will be posted once I get there. I’m not bringing a ton of extra merchandise, so please be sure to visit the Art Show early.

For all fans of Dan Simmons’ DROOD — amongst my various originals and prints on display, I’ll have a 44″ x 60″ vinyl banner for sale featuring the DROOD limited edition artwork. I have only one, but for a mere $100, it can be yours if you’re the first to snag it at Dragon*Con. I’ll also have Elric prints & originals plus plenty of other works.

In addition, here’s my appearance schedule when outside the Art Show. I’m especially excited about the Sunday 11:30am panel “The Good, The Bad, and The Ugly” because we’ll be talking book cover art with Irene Gallo, Lou Anders, Mike Resnick, Mary Robinette Kowal, and Jim Butcher. Dragon*Con is expecting a large crowd for that one, so you might want to get there a few minutes early for best seating.

From what I gather, Dragon*Con is a huge place. I’ll be around. If you see me, don’t be a stranger. See you there. 🙂

Art Show Awards
Time: Sat 08:30 pm Location: Grand Hall West – Hyatt (Length: 1)
Judge for panel
Description: Come to the art show awards ceremony and see who won. Juried awards, Charity Contest winners as well as attendee voted awards will be presented.


Live Hugo Awards Results Breakfast

Time: Sun 6am Location: Kafe Köbenhavn @ Hyatt Regency Atlanta (Length: 2)
Description: A number of this years’ Hugo Award nominees will be at Dragon*Con. Join them at the Kafe Köbenhavn to listen to the results come in live! Direct from the Hugo Ceremony in Melbourne, Australia! The Kafe Köbenhavn has both a buffet and an a la carte menu (you are responsible for your own breakfast).

Attending are:
LOU ANDERS – 4-time Hugo nominee, 2010 nominee for Best Editor, Long form
KATE BAKER – podcast director for Clarkesworld, 2010 nominee for Best Semiprozine
EUGIE FOSTER – Nebula Award Winner, 2010 nominee for Best Novelette
FARAH MENDLESOHN – 2005 Hugo winner, 2010 nominee for Best Related Work
JOHN PICACIO – Winner of the World Fantasy, Chesley and Int’l Horror Guild Awards, 6-time Hugo nominee, 2010 nominee for Best Professional Artist
STEPHEN H. SEGAL – 2009 Hugo winner, 2010 nominee for Best Semiprozine
Also joining us will be Campbell Award winner, SFWA Vice President MARY ROBINETTE KOWAL.

Stroll With The Stars
Time: Sun 9am Location: In front of the Hyatt Regency (Peachtree St. entrance) (Length: 1)
Description: Walking stroll / kaffeeklatsch / meet & greet featuring Lou Anders, James Enge, Laura Anne Gilman, Clay & Susan Griffith, Erin Hoffman, Ari Marmell, Andrew P. Mayer, Farah Mendlesohn, John Picacio, Jon Sprunk, & Sam Sykes


The Good, The Bad & The Ugly

Time: Sun 11:30 am Location: Hanover C – E – Hyatt (Length: 1)
Moderator / MC for panel
Description: A roundtable discussion about science fiction and fantasy book covers by industry pros, discussing what’s good, bad and could be better.

Art Show Jury Discussion
Time: Sun 02:30 pm Location: Hanover G – Hyatt (Length: 1)
Description: Past & present jury members discuss applying to juried art shows. Find out what these members were looking for in submitted works.

Breaking into the Art Field
Time: Sun 07:00 pm Location: Hanover G – Hyatt (Length: 1)
Description: As an artist, breaking into the field can be an arduous task. Join us for a few suggestions and lively discussion.