Spotted on the shelves, shiny and new, at 3pm, Borders Books, Alamo Quarry, San Antonio, TX. According to Amazon.com, Michael Moorcock’s ELRIC: THE STEALER OF SOULS wasn’t supposed to release until tomorrow. However this weekend, Moorcock’s Miscellany said the book was selling at Forbidden Planet, London (thanks, Guy) and Barnes & Noble in Virginia (thanks, Blackwood Buzz). Today, Pyr’s Lou Anders saw the book at Books-A-Million in Birmingham and my pal Brian Farrens spotted it up in far northside SA (again, Borders). So the wait is now officially over. Elric’s back and he’s everywhere, at least across North America.

I’m thrilled to be a small part of this, and this weekend Mike and I will be celebrating with a book signing/launch party for the new Elric book. Details as follows:

Where:
Austin Books
5002 N. Lamar
Austin, TX
email: info@austinbooks.com
(512) 454-4197

When:
Sat. Feb. 23
4-7pm

I’ve said it before, but Austin Books is one of the finest comic-book emporiums in the country. It’s worth a trip just for its sheer comic-book goodness. For those who can’t make it (I’m looking at you, Moorcock fans in the UK), Austin Books has set up a convenient “buy it” button where you can reserve a signed copy of ELRIC: THE STEALER OF SOULS that Mike and I can sign and/or personalise for you this weekend. Scroll down to just below the Elric cover. Hope to see everyone on Saturday! 🙂

One more glimpse of the new Elric drawings….and then next week ELRIC: THE STEALER OF SOULS finally releases in bookstores across North America (and cyberspace). Also next week, I’ll have details on a cool gallery of new Elric drawings over at RevolutionSF.

“Elric and the Horn of Fate” — interior illustration from Michael Moorcock’s forthcoming ELRIC: THE STEALER OF SOULS, due out February 19 from Ballantine/Del Rey. Pencil on Crescent illustration board, 11″x14″.

Some talk soup about a few notable books that I’m proud to have done covers for:

* Congrats to Bruce McAllister and Golden Gryphon Press. McAllister’s THE GIRL WHO LOVED ANIMALS is amongst Graham Sleight’s Top Five Books of the Year, according to his Year-End Round-Up in the latest issue of Locus Magazine.

* Congrats to Lou Anders, Pyr and FAST FORWARD 1. An amazing FIVE stories from FF1 will appear in David G. Hartwell and Kathryn Cramer’s YEAR’S BEST SF 13. Wow! More details here at Lou’s blog. In addition to several nods on this year’s Locus Recommended Reading List (including Nick Gevers selecting it as one of the very best anthos of ’06), Bookgasm.com says: “…so good that I suggest Pyr wait a year and republish it with the title BEST SCIENCE FICTION OF 2007. This is an important book that can move science fiction one step closer to the ‘literature’ shelf, if it so desires….Anders has coaxed such incredible goodness out of these writers that if you only read one or two stories a month, it’s better than a year’s subscription to most of the genre magazines out there…With a deep bench of talent and a perfectly paced setlist, Lou Anders has made a book that truly represents its own theme. FAST FORWARD has the potential to be the future of short-form science fiction.”

That’s good to hear, as I’m currently working on the cover for FAST FORWARD 2….

* In other news, Joseph Mallozzi’s super-popular blog announced today that discussion of Jeffrey Ford‘s THE EMPIRE OF ICE CREAM will begin April 21. (Even though EMPIRE is actually a 2006 release, I just wanted to pass it along.)

“Elric summons the Wind Giant” — interior illustration from Michael Moorcock’s forthcoming ELRIC: THE STEALER OF SOULS, due out February 19 from Ballantine/Del Rey. Pencil on Crescent illustration board, 11″x14″. (p.s. Happy Birthday, Mama. :))

Today it arrived. Traci’s holding it. Ballantine/Del Rey kindly sent me an advance copy of ELRIC: THE STEALER OF SOULS (thanks, Betsy!). Author Michael Moorcock raved about his yesterday. I’ve been anxious to see it ever since. This book’s different. A lot of my 2007 went into this one because I did so many interior illustrations for it, plus the cover. With the exception of my art book, it represents the most work I’ve ever invested in one project. So yeah, when the package arrived today, I was nervous to say the least.

I’m thrilled, proud, (and relieved) to report that the finished book looks awesome. When Traci arrived home, we celebrated with margaritas at Panchito’s and it was unveiled to her for the first time. It’ll take a few more examinations before it’ll feel real, but it is. It’s done, and on February 19th, it’ll be everywhere.
Huge thanks to Betsy Mitchell, editor-in-chief of Del Rey. She made this happen. Many thanks to Kaitlin Heller, Julie Schroeder (designer), and Dave Stevenson (Del Rey’s Chesley-nominated art director). Proud to be part of your team. Lastly, thanks to A for being a warrior and a true friend, and to Mike and my wife Traci for everything. Much more Elric in the coming days….

“Elric & Cymoril” — interior illustration from Michael Moorcock’s forthcoming ELRIC: THE STEALER OF SOULS, due out February 19 from Ballantine/Del Rey. Pencil on Crescent illustration board, 14″x11″.

“The Fire Giant” — another of my interior illustrations from Michael Moorcock’s forthcoming ELRIC: THE STEALER OF SOULS, due out February 19 from Ballantine/Del Rey. Pencil on Crescent illustration board, 6″x12″. Bonus — a short Elric music mix I looped for inspiration through the hours working on the Elric book.

1. “Carmina Burana: I. O Fortuna” / Carl Orff / London Symphony Orchestra & Richard Hickox

2. “Da Pacem Domine” / Arvo Part / The Hilliard Ensemble

3. “Mars, the Bringer of War” / Gustav Holst / London Symphony Orchestra & Sir Georg Solti

4. “Saturn, the Bringer of Old Age” / Gustav Holst / London Symphony Orchestra & Sir Georg Solti

5. “The Man Who Sold the World” (Live) / David Bowie

6. “The Pretty Things Are Going to Hell” / David Bowie

7. “Ace of Spades” / Motorhead

8. “The Call of Ktulu” / Metallica

Just heard this news from George Mann of Solaris….
SCIFI NOW, one of the UK’s major SF media mags, has released their list of the Best Books of 2007. Michael Moorcock’s THE METATEMPORAL DETECTIVE is amongst their top five. Congrats, Mike! Congrats to Pyr and Solaris as well!

The list:
1) HALTING STATE (Stross) / Orbit
2) STEALING LIGHT (Gibson) / Tor UK
3) BRASYL (McDonald) / Pyr/Gollancz
4) THE METATEMPORAL DETECTIVE (Moorcock) / Pyr
5) HELIX (Brown) / Solaris

Also here’s a conversation between Mike and SHRIEK author Jeff Vandermeer over at Amazon.com’s OMNIVORACIOUS blog.

Great days for Moorcock — he’s got a hit with THE METATEMPORAL DETECTIVE; talks continue regarding a major ELRIC motion picture; and the ELRIC series will launch next month. More on that Monday….

Two of my interior illustrations for Michael Moorcock’s ELRIC: THE STEALER OF SOULS…this top drawing was first unveiled back in July. The one below is today’s sneak peek. Since these are interior illustrations intended to complement the author’s words, they don’t officially have titles. However, if I had to make an unofficial title for the top image, I would call it, “Elric the Damned.” If I had to do one for the bottom image, I would call it “Darnizhaan Rises.”

Both, pencil on crescent board, 11″x17″. Lots more interiors like these, when ELRIC: THE STEALER OF SOULS releases next month from Ballantine/Del Rey. I’ll post another sneak peek next week.

In case you haven’t seen it, here’s Ballantine/Del Rey‘s final cover design for Michael Moorcock’s ELRIC: THE STEALER OF SOULS, the first of six new trade paperbacks collecting classic ELRIC novels with new introductions, illustrations, and notes. THE STEALER OF SOULS cover illo is by me, and beginning next week, I’ll start previewing some of my interior illustrations for the book.

Amazon shows February 19th as their availability date for the book, so unless I hear otherwise, I’m assuming that’s the general release date. Good news — Saturday, February 23, from 4-7pm, Austin Books will host the first release party/book signing for ELRIC: THE STEALER OF SOULS. Mike Moorcock and I will both be there. Mike will do a reading and I’ll bring along some of my original interior art for show-and-tell. Should be a great time.

Austin Books is one of the finest comic-book emporiums in America. I visit at least one comic-book store in every city I visit and very, very few stores ever approach the sheer diversity of well-displayed new schtuff that Austin Books has every week. Brad Bankston runs the place, and his store’s been a two-time finalist for the Will Eisner Spirit of Comics Award (the Eisner for Retailers). I’ll remind about the date as it approaches, but if you plan to be in the Austin area that weekend, mark your calendars now. 🙂

Very cool feature over at io9 about Borderlands Books, one of the finest independent bookstores in America. If you travel anywhere near the Bay Area (or better yet, live there), this store is an absolute must-visit.

As noted by Cheryl Morgan at Science Fiction Awards Watch, the awards nomination season is now open (Hugos and otherwise), so if you need a one-stop list of my 2007 work for consideration, here you go. I’ll soon have Steve McDaniel post this list over on my website, but for now, please bookmark this if you need it.

(above)
Cover illustration for
TIME’S CHILD
by Rebecca Ore
HarperCollins/Eos
February 2007

(above)
Wraparound cover illustration for
FAST FORWARD 1
edited by Lou Anders
Pyr
February 2007

(above)
Cover illustration for
STAR TREK: CRUCIBLE —
THE STAR TO EVERY WANDERING
by David R. George III
Pocket Books
February 2007

(above)
Cover illustration for
ON HER MAJESTY’S OCCULT SERVICE
by Charles Stross
Science Fiction Book Club
March 2007

(above)
Cover illustration for
POSTSCRIPTS #10
Edited by Peter Crowther
PS Publishing
Spring 2007

(above)
Cover illustration for
X-MEN: THE RETURN
by Chris Roberson
Pocket Star
May 2007

(above)
Cover illustration for
THE MARGARETS
by Sheri S. Tepper
HarperCollins/Eos
May 2007

(above)
Wraparound cover illustration for
A THOUSAND DEATHS
by George Alec Effinger
Golden Gryphon Press
June 2007

(above)
Cover illustration for
BRITISH SUMMERTIME
by Paul Cornell
MonkeyBrain Books
July 2007

(above)
Cover illustration for
THE METATEMPORAL DETECTIVE
by Michael Moorcock
Pyr
October 2007

(above)
Wraparound cover illustration for
THE GIRL WHO LOVED ANIMALS
by Bruce McAllister
Golden Gryphon Press
October 2007

(above)
Cover illustration for
STARSHIP: MERCENARY
by Mike Resnick
Pyr
December 2007

Hey, ’07 — you were a heckuva year. Before you head out forever, a tip of the hat to all my pals and associates who shared the last twelve months with me. Time to wipe the slate clean and start fresh. One final look at a few ’07 highlights from this corner of the universe:

January — COVER STORY: THE ART OF JOHN PICACIO (MonkeyBrain) finishes on several “Best of 2006” lists, including SFSignal and RevSF.

February — My covers for Rebecca Ore’s TIME’S CHILD (Eos) and Lou Anders’ FAST FORWARD 1 (Pyr) hit the streets. The STAR TREK/CRUCIBLE trilogy completes with the release of CRUCIBLE: KIRK — THE STAR TO EVERY WANDERING by David R. George III. COVER STORY: THE ART OF JOHN PICACIO is one of the best art books of 2006, according to Locus Magazine’s Recommended Reading List.

March — Traci and I married on March 17th. Hands-down, one of my favorite days ever. On a sidenote, I’m notified that same day that I’m a finalist for not one, but two Hugo Awards — Best Professional Artist and Best Related Book. Hard to beat March 17, 2007 as the best day of my entire year. Traci and I begin our double honeymoon in Toronto and following that, I’m the Artist Guest of Honor at the World Horror Convention.

April — Traci and I finish our honeymoon in Europe. We first travelled to the Netherlands where I was one of the special guests at Elf Fantasy Fair in Utrecht, along with Brian Froud, David Anthony Durham, Chris Geere, Lou Ferrigno, and Prof. Roland Rotherham. Following that episode of the Surreal Life, Traci and I moved on to London where we have a glorious time, despite how badly the American dollar sucked.

May — Chris Roberson’s X-MEN: THE RETURN is in stores everywhere. I grew up on X-MEN comics, so illustrating this cover was a dream come true.

June — George Alec Effinger’s A THOUSAND DEATHS debuts with my wraparound cover illustration. I’m invited to the Seattle to have the great honor of inducting Ed Emshwiller into the Science Fiction Hall of Fame. As if that weren’t enough, COVER STORY is a finalist for the Locus Award for Best Artbook, and I win the Locus Award for Artist — something I never dreamed would happen. Wow, wow, wow. (And my San Antonio Spurs win their fourth NBA Championship(!), with mass insanity and partying in the downtown streets, not far from our home….:))

July — Paul Cornell’s BRITISH SUMMERTIME releases from MonkeyBrain. Traci and I travel to Tulsa, Oklahoma where I’m the Artist Guest of Honor at Conestoga 11. Soon after, I discover I’m a finalist for two Chesley Awards — Best Paperback Cover (A CANTICLE FOR LEIBOWITZ) and Best Magazine Cover Illustration (INTERZONE #204).

August — I attend the always-terrific Armadillocon in Austin, TX, which is close to home here in San Antonio, and then travel the furthest distance of my life two weeks later, when my buddy Lou Anders and I head to Japan for the World Science Fiction Convention. I’m not sure if we were prouder that we were both 2007 Hugo Finalists, or that we both survived the 72-hour blitz through Yokohama. Awesome, unforgettable, and we now have cherished friends in Nippon.

September — I’m a first-time finalist for the British Fantasy Award for Best Artist, along with Vincent Chong, Les Edwards, Dean Harkness, and Edward Miller. Vinny claims the prize — congrats, Vin! Sometime during this period, I complete the last of the interior illustrations for the forthcoming (Feb. 2008) release of Michael Moorcock’s ELRIC: THE STEALER OF SOULS (Ballantine/Del Rey), a huge ongoing effort which I was working on throughout the twelve prior months, along with my other cover work. More news on this after the New Year….

October — Michael Moorcock’s THE METATEMPORAL DETECTIVE (Pyr) debuts. So does 2007 Hugo nominee Bruce McAllister’s collection THE GIRL WHO LOVED ANIMALS AND OTHER STORIES (Golden Gryphon). Traci and I attend my 20-Year high school reunion (Holmes High School, San Antonio, ’87), and the utterly surreal occurs when the geeky kid who couldn’t get a date (me) is voted “Most Successful.” A strange life, no?

November — World Fantasy Con, Saratoga Springs, NY….I’m a finalist for the World Fantasy Award in the Artist category, along with Shaun Tan (congrats!), Jill Thompson, Jon Foster, and Edward Miller. That same weekend, I win the International Horror Guild Award in the Artist category, becoming the first artist to win the IHG twice.

December — Traci and I celebrate Michael Moorcock’s birthday at his release party/booksigning for THE METATEMPORAL DETECTIVE. Mike Resnick’s STARSHIP: MERCENARY debuts. My last finished cover work of the year is one of my most ambitious — the triptych for Jeffrey Ford’s WELL-BUILT CITY trilogy which will release next fall in trade paperback from Golden Gryphon.

Whew — (deep exhale) yeah, 2007, you were unforgettable. Bring on ’08. To everyone out there — thanks very much and best wishes to you on the other side of the New Year!

Here’s the full unabridged cover triptych for Jeffrey Ford‘s forthcoming WELL-BUILT CITY trilogy. Final dimensions 19″H x 36″W x 4″D. You’re looking at the art for all three covers as they should appear when the front covers sit side-by-side (sans ornate frame). Jeff intended these novels as a set so the cover art reflects the same. Golden Gryphon Press designer Lynne Condellone will be doing the typography design on these and I’m curious to see what she comes up with.

A few words about the making — thanks to Jan at New Century Graphics who did yeoman work photographing the final art, even though she was suffering through viral pneumonia. Way to hang in there, Jan. Many thanks to Gary Turner at Golden Gryphon Press for keeping the faith and allowing these covers to find their way. We made it to the finish line, Gary! Throughout 2007, the making of these covers has been interspersed between the making of all of my other cover art this year, including the massive work for the first Del Rey/ELRIC book. In some ways, the WELL-BUILT CITY triptych has been like my little vacation when I would need a 20-30 minute break from another illustration. I would paint a little here, glue a couple of pieces there, and dream about what this thing would be when it’s done.

I’ve always wanted to be an illustrator that straddles between media, and who can be adept within different contexts. So I may be most proud of the fact that while I was working in the found-object / assemblage / oil-painted reality of THE WELL-BUILT CITY, I was simultaneously Faber-Castelling my way through the finished pencils on the ELRIC interiors and at the same time, doing my traditional/digital combinations with covers like Michael Moorcock’s THE METATEMPORAL DETECTIVE; Lou Anders’ FAST FORWARD 1 anthology; Bruce McAllister’s THE GIRL WHO LOVED ANIMALS, and a boatload of other covers. I’m not unique in being able to bounce between media and contexts simultaneously, but I do think it’s increasingly important to what I do. One problem-solving context can unexpectedly inform the other when you least suspect it.

A couple more notes — the work for these three covers would not have been possible without the imagination of Jeffrey Ford. I’ve said it before and I’ll say it again — if I wasn’t already working in this business, I would still be collecting this guy’s writing because he’s one of my favorite authors on the planet, bar none. Thanks, Jeff.

And lastly — Jaime Bishop, this one’s for you. I’ve asked Golden Gryphon to please respectfully dedicate these covers to your memory. You and I never knew each other. We never met. We were aware of each other’s work, but on the day you passed away, I learned that we were not only both cover illustrators for companies like Golden Gryphon, but shared some very similar interests and influences. When I was working on this piece, I thought about what you said about what artists are supposed to do in this world, and when I struggled and got tired, I thought about it even more. We both passionately believed that art could change the world for the better. I still do, more than ever.