2014 World Fantasy Award Nominee!

Heard the terrific news this morning via social media (thank you, Kimm Antell and Charles Tan). Wow — grateful and honored to be a World Fantasy Award nominee for Artist, along with Galen DaraJulie DillonCharles Vess, and Zelda Devon!!

I’m grateful to the WF jury and voters for selecting my past year’s labors as being amongst some of the very best books, works, and makers in fantasy.

I owe this honor to the work I did on Loteria in 2013. It’s been a learning experience as I slowly evolve from the status of a creative, into a creator. The journey is ongoing, and it’s filled with peril and challenge. I’m committed to this work, body and soul.

The first Loteria art was unveiled last year, via my Kickstarter campaign for the 2014 Calendar. This ongoing series will eventually be fifty-four new artworks inspired by Loteria — the classic Mexican game of chance played much like Bingo. This is only the tip of an amazing rhizome that keeps surprising me, as the series unfolds, with more works to be unveiled before the end of this year.

Pictured here, clockwise from top left: the cover of my 2014 Calendar (featuring ‘La Sirena’); the pencils for ‘La Luna’; ‘El Paraguas’ and ‘El Arpa’, as seen on their limited-release Loteria Grande prototype cards.

Eventually, Loteria will be an official game, card deck, and so much more, but before any of that happens — it will be a major book release. Right now, I’m shopping for the right publishing partner.

Of the completed Loteria works, ‘La Sirena’ has already scored a Chesley Award, and ‘El Arpa’ and ‘La Luna’ were recently announced as finalists for this year’s Chesley Awards. I’m extremely grateful that these individual works are connecting so quickly with so many, and I think this World Fantasy nom is especially meaningful because it acknowledges the first glimpses of my creator-owned body of work.

To Julie, Zelda, Galen, and Charles — huge congrats! Pictured here are works from all four of my fellow Artist nominees (clockwise from top left — Galen Dara, Julie Dillon, Charles Vess, Zelda Devon):

There are so many friends and colleagues across the nominee list that I wish to congratulate, and there are almost too many to name without listing the whole nomination list. I have to give a huge shoutout to Irene Gallo though. As most know, she’s Tor’s queen of Art Direction, and the Associate Publisher of Tor.com. She’s a tireless champion of art and artists. She pours herself into the field, and this is her first World Fantasy Award nomination. I’m really thrilled for her.

Back to work here for me. Again — huge thanks to the World Fantasy Awards jury, and to the voters. I’ll see you in Washington D.C. for the 40th World Fantasy Convention!

Loteria Posters!

Here are my two new limited-edition Loteria posters that will be debuting at Detcon1 and San Diego Comic Con this month!

“El Corazon” and “La Luna” measure 11″ x 18″, and are printed on thick cardstock. Each can be yours for only $20. There will only be 500 of these available, and they will NOT be for sale online for the foreseeable.

How do you get yours? Come see me at my signings + special events at the following conventions. First come, first serve!

Detcon1 / (Detroit, MI)

Poster Sale + Signing Locations and Times:

Friday, July 18 / After “Loteria! with John Picacio”, which begins at 2pm / (Nicolet B)

Friday, July 18 / Mass Autographing / 8pm (Ambassador 1 & 2 / 3rd Floor)

Saturday, July 19 / After “The Art of John Picacio”, which begins at 11am / (Signing Location TBD)

San Diego Comic Con

Poster Sale + Signing Locations and Times:

Saturday, July 26 / After “Spotlight on John Picacio”, which begins at 1pm (Room 4) / I’ll be signing in the Autograph Area in the Sails Pavilion after this panel.

Also available at my Special Guest table appearances throughout the weekend (schedule forthcoming)

Loncon3 / (London, UK)

Dragon Con / (Atlanta, GA)

Alamo City Comic Con (San Antonio, TX)

If you’re not attending any of these events, my best suggestion is see if you have any friends that are, and ask them to purchase the items for you. I’ll be posting updated details on each event, and the locations and times where I’ll be signing and selling these.

More soon! 🙂

SFAL3 Pre-Show Print Sale!

Spectrum Fantastic Art Live 3 hits Kansas City next week! For those of you that have never attended — this is three days of sf/f art Woodstock.

Be there. Seriously. There’s no event quite like this.

I’ll be there again this year — and I have a special offer for SFAL3 attendees.

Starting today, through Monday, May 5th — SFAL3 attendees can pre-order ANY 17″ x 22″ archival print in my shop — for only $55 each.

And yes, GAME OF THRONES fans — this includes my A SONG OF ICE AND FIRE signed archival prints. Yes, that’s a savings of over 50% from the online retail price on those — and yes, this offer is ONLY for SFAL3 attendees.

Why do this?

Simple — it’s a win-win.

I save shipping, handling, and extra materials costs, since I’m not shipping lots of extra unsold prints to and from the show. I pass those savings to SFAL3 attendees, who score archival prints of my art at a bargain price.

How do you get yours if you’re attending SFAL3? Easy.

1) Email me at john (at) johnpicacio (dot) com, and let me know which 17″ x 22″ prints you want reserved for you at SFAL3. Deadline for reserving is Monday, May 5th at 11:59pm CST. (DO NOT order through the webshop to score this special SFAL3 price.)

2) You pay at the show, when you pick up your prints. Or if you feel compelled, you can pay me via Paypal and I can give you those details via email.

3) Buyers are encouraged to bring their own protective sleeve or tube to the show. Prints at reduced price do not include protective bag or board.

4) All prints must be picked up and paid for at SFAL3. No mail orders allowed, for this special price.

5) And again — this offer is only for attendees of Spectrum Fantastic Art Live 3, and only for a limited time.

Aside from the prints that you folks reserve — I’ll only be bringing a VERY small handful of prints to the show. Those prices will be higher than if you reserve yours in advance, and there’s no guarantee the one you want will be there. So — all aboard, SFAL3 attendees! Reserve your prints in advance, and save big money, while you can! 🙂

Thank you, NWC 37!

Belated post here. It’s been a crazy week after returning home from Norwescon 37 in Seattle. Thanks to all who were there and made it happen!

So much good to say and so few minutes, but highlights included:

• LOTERIA!! That was the biggest game of Loteria I’ve ever experienced! So much fun. Thanks to all who came out and played. Very cool to have Linda and Mike Moorcock show up too. You’re next, Corecon!!

• THE ART OF ELRIC: Great times doing this with Mike Moorcock and Robert Gould. We could’ve filled twice the room, and twice the time allotted, and still had rubber to burn. So much amazing art over Elric’s history, and I never get tired of hearing Mike’s stories.

• TOURING THE EMP: Thank you to Jacob McMurray for taking the Moorcocks, Tara Smith, Pierce Watters, Berry Sizemore, and me on a VIP tour of the Experience Music Project Museum. Enjoyed being there to see Mike view Stormbringer enshrined for display for the first time, and witnessing his Hall of Fame plaque. The EMP is a world-class facility and I’m honored to have some of my work as a part of their “Fantasy: Worlds of Myth and Magic” exhibit.

• THE 2014 HUGO AWARDS ANNOUNCEMENT: Was happy to be present watching the live announcement from the UK, with a room full of people at Norwescon. Honored to be a 2014 Hugo nominee and again, huge congrats to all on the ballot!

Norwescon is one of my favorite cons, and the people that run it are terrific, and know what they’re doing. It’s a well-oiled machine. My hat’s off to all of them!

Best of times with Lee Moyer, Venetia Charles, Brooks Peck, Robert Gould, Todd Lockwood, Leslie Howle, Rob and Peggy Stewart, Doug and Pat Booze, Jack Skillingstead, Nancy Kress, William Sadorus, Shawn & Katrina Marier, Stina Leicht, Kat Richardson, Spring Schoenhuth, Dave Gallaher, Michael Hanscom, Mike Selinker, Wolfgang Baur, Don Glover, Jeff Sturgeon, Ian Campbell, Duane Wilkins, Art Boulton, and so many more. This list could at least be four times as long.

Special thanks to Tara Smith and Pierce Watters, for being amazing.

It was a terrific con. I love Seattle. I love Norwescon, and thank you to all who always make me feel welcome there.

My Norwescon 37 Schedule

Here’s where to find me at Norwescon.

1) For Game of Thrones fans:

I’ll be presenting some behind-the-scenes on the making of my A Song of Ice and Fire artwork at “The Art of John Picacio”. 1pm / Friday in Cascade 12.

2) For gaming fans:

Win books and art prizes while learning to play the super-fun game of Loteria (think Mexican Bingo). Everyone who attends scores a free Mexican Tarot card! 6pm / Friday in Evergreen 3 and 4.

3) For Michael Moorcock and Elric fans:

See an exclusive presentation of the best art from the history of Elric of Melnibone, with live commentary by Michael Moorcock, artist Robert Gould, and yours truly. 5pm / Saturday in Cascade 12.

Finally — if you’re attending the con, let me know which of my artworks you would like me to bring as prints for sale. I’m making those decisions this week (especially if there’s a particular ASoIaF or Elric artwork you have in mind).

See you soon!

Loteria Grande Drawing Sale! (AKA “How to Score a Picacio Original for a Low Price”)

My Loteria final pencil drawings have received a lot of buyer interest, which is great to see and very appreciated. That said, those drawings won’t be for sale until well after all 54 Loteria works have been completed.

Here’s good news though — for one week only, starting today — I’m offering Grande card-sized Loteria drawings for a bargain price. These are pencil drawings on Strathmore Bristol, and they measure 4.5 inches wide by 7.5 inches tall. Each is signed.

I’ll be doing drawings of ‘La Luna’, ‘La Rosa’, and ‘La Sirena’, and they’ll be first come, first serve. The sale will run from today until Wednesday, March 26 at 11:59pm CST. Here’s an example of each.

LA LUNA

LA ROSA
LA SIRENA

Price is $105 per drawing for orders shipping within the continental US, and $115 each for orders shipping outside of the continental US. (Shipping costs included in price.)

If you’ve ever wanted to add a work of mine to your art collection, this is an excellent way to do so. Order yours here.

FAQ

Will there be more than one drawing produced for each of these three icons?

A: Yes. If you order one of these drawings before March 26th, then you’re guaranteed to get one of your very own, regardless of who orders before you.

Do people who order today receive their drawing before someone who orders later?

A: Yes. I’ll fill the orders in the order of when they are received.

Will orders be allowed after March 26th, after 11:59pm CST?

A: No. Once this ordering period is done, then I’ll focus on fulfilling the orders for all who reserved their drawing during the order period. If you’re tight for cash between now and March 26th, let me know before the deadline, and I can try to reserve one for you, but I can’t guarantee that I can do that in all cases.

Will I be the one doing all of these drawings, or is someone else drawing some of them?

A: I will be the one drawing all of these. These are not remarqued prints. Each original drawing will be created from scratch for each buyer. (My name’s John Picacio, not Thomas Kinkade.)

Is ‘La Sirena’ going to be drawn in brown pencil?

A: No. That one will be drawn with the same tone as the other two, but for some reason, Blogger keeps imaging that with a brown tone, even though it’s a Gray jpg, not RGB. Weird. Ignore the brown. It’ll be shades of grey just like the others.

When will the drawings be shipped?

A: I expect to ship these out after Spectrum Fantastic Art Live 3 in May. So all buyers should be receiving theirs within the month of May. International orders tend to take a bit longer to arrive. Those who order early (especially those on the Lone Boy List) will likely receive theirs much sooner, but overall, expect yours in May.

Jump aboard. March 26th will be here before you know it! 🙂

For Jonathan Ross and Family

This note is for you, Mr. Ross, your wife, daughters, and family members that have been hurt by recent events involving the Hugo Awards Emcee reaction.

I suspect you folks have never heard of me, and that’s quite alright. My name’s John Picacio and I watched from the sidelines this weekend as the Hugo Awards Emcee situation became a debacle on social media. I’ve already expressed publicly that I was very sorry to see the way it played out, even though I had nothing to do with it.

I’m writing this though because that’s essentially not true.

Because I am a working professional within the sf/f publishing field and an artist who has been fortunate enough to win two Hugos, I am a part of the sf/f community by default, whether I chose to speak out or not, and I regret that I didn’t on Saturday. Thus, just by professional association, I DO have something to do with this community when some of its very vocal professionals make emotionally-loaded and potentially hurtful statements that end up reflecting on our entire community.

Watching fellow professionals attack Mr. Ross on Twitter was disappointing, to say the least. They said that Mr. Ross’ performance behaviors were justification for saying that he wasn’t welcome because those behaviors made some of them feel uncomfortable.

Their comfort levels are their prerogative, as are mine. I have the right to not needlessly demonize or vilify a complete stranger, and assume the worst of that individual. I have the right to not be afraid to speak out and instead ask, “Is it really necessary to allow fear to rule the day and indict someone for behavior toward this event that hasn’t even happened yet?”

I didn’t say anything. I don’t suspect it would have changed what happened. The people that were attacking you have bigger microphones than I do. More Twitter followers. More political leverage. Larger armies.

Whether it would have changed things or not — I was wrong to not have said something at the time. Lesson learned.

That said — there has been a lot of good work done by good people in this community to make ‘safer’ environments for fans and pros alike. I endorse and support this work, and will continue to do so.

However, I saw lines crossed this weekend, when personal insecurities seemed to spawn fear-driven and very personal attacks for actions and situations that had not even occurred, but were merely speculated. Those responses were far less than what you deserved, and far, far less than what I expect of my peers, and this field to which I belong.

There is a human cost, and Mrs. Goldman’s tweets illustrate that quite painfully. I post these here not to remind your family of your hurt, but for others who might see this to know that we currently have a large compassion gap in our community — and it has TWO sides, no matter which side you claim as your own.

There are humans on either side of that gap, and when we ignore the humanity of strangers, we are the lesser, and thus, far less than we must be.

This is a series of messages from Mrs. Goldman to Seanan Mcguire, dated about 12 hours ago:

“Reading all your yay!women! tweets this morning, while you rudely ignore a real, live 17 yr old girl….whom you hurt deeply with your words, is jaw-dropping. You falsely accuse her father of sizeism, she gathers the courage to speak to a bullying adult with 12.5k followers….and you IGNORED HER and casually blathered on about the Oscars. Wow. Just.. wow. But don’t worry. Go on. Let’s discuss Disney princesses. Don’t worry about the three real women whose weekend you ruined. (Me and my daughters.) Women like you. Who worry about what to wear, and get called fat. And feel loved and protected by the man you slandered, and who were brought to tears not by imaginary words, but by YOUR self-involved, ill-considered poison. You owe my daughter a reply. Learn some manners and take responsibility for the effect of your words have on real humans.”

I offer this to all — to the Ross and Goldman family, and to you that are reading this — we cannot let fear rule sf/f. It did this weekend, and people were hurt in the process. If we as sf/f professionals (artists, authors, editors, publishers, what-have-you) can’t understand that there’s a human cost to our tweets and public posts when we lash out against people, then we’re not as good as we may think we are. I offer this to Patrick Nielsen Hayden, Charles Stross, Ellen Datlow, Seanan, Farah, and anyone else who was a part of this series of exchanges this weekend.

I’m sorry to all of you that I didn’t speak up, and say what I should have. I think we’re a lesser community for what occurred this weekend.

I feel badly for Farah for being put in a position to voice her concerns publicly, as she alleges she was refused the conduit to express her opinions within reasonable private processes, with due course. That said, the damage is done for Loncon3, for Mr. Ross, his family, for the individuals directly involved in the wordslinging, and for all of us as a part of this community.

My words will not change people’s minds about what they want, or what they fear.

What I do hope is that this note will let Mr. Ross, Mrs. Goldman, and their family know that this sf/f community crossed lines that should never be crossed, and acted less than professionally in the reaction. Should you later choose to attend Loncon3 in a civilian capacity, I’ll be happy to take some time for us to tour the Art Show together, and share a meal on my dime, at your convenience. Please don’t feel obligated, but the offer is there for you, unconditionally. Let me know and I’ll be there.

Beyond that, it’s time to get back to work. If you ever need anything, I’m here for you. Come as you are — any time, any place.

Very best,
John

UPDATE: Thank you to Sunil Patel for sharing Seanan’s reply on the matter. (Sunil’s comment is the 2nd one from the top.)

EL MUNDO

Here’s the final color version of my latest Loteria card, ‘El Mundo’. In English, ‘El Mundo’ means ‘The World’. Those who scored the 2014 John Picacio Calendar will notice that they possess a progress version of this artwork that won’t be available elsewhere. I retained the concept of that version, but completely re-did the art from scratch. Here’s the new, improved pencil drawing, created for the revised final.

And for those of you unfamiliar with the traditional game of Loteria, here’s the Don Clemente/Pasatiempos Gallo version of the card. This is the version from the deck I played with as a kid. I always loved this icon, but as you can see, I’ve definitely taken ‘El Mundo’ in a new direction.

Currently calling ‘time out’ on Loteria, and working on cover art for Dan Simmons’ ENDYMION for Subterranean Press. When that’s finished, I’ll jump back to revising my ‘La Escalera’ card art for Loteria.

‘El Mundo’ and ‘La Escalera’ will be part of my 54-card Loteria deck that I’ll be releasing from Lone Boy. Big Loteria product news coming very soon (and the word ‘big’ is definitely a hint here)!

Fantasy: Worlds of Myth & Magic

The EMP Museum in Seattle is currently featuring a terrific exhibition called Fantasy: Worlds of Myth & Magic. If you love fantasy art, literature or film, it’s a must-see.

One of my Elric of Melnibone preliminary drawings is on exhibit next to Michael Moorcock’s prototype for Elric’s legendary sword Stormbringer.

A couple of my artworks for the 2012 George R. R. Martin / A SONG OF ICE AND FIRE Calendar are represented, alongside a fabulous Hildebrandt painting here.

While you’re at the EMP, check out the Icons of Science Fiction exhibit too.

One of my favorite details of the collection is this wall. Look closely and you’ll see Yoda’s walking stick as used by Frank Oz in THE EMPIRE STRIKES BACK. That spiky sphere is the Kryptonian ship that launches Kal-El to Earth in 1978’s SUPERMAN: THE MOVIE. And yup, that’s hanging next to one of the original suits that Christopher Reeve wore for the Superman movies. In the middle of all of that — one of my cover artworks. This one is for Nancy Kress’ classic BEGGARS IN SPAIN.

It’s just a paperback with my art on it. No big deal.

But seeing it on a museum wall in the middle of iconic objects that defined my childhood (with Moebius and WATCHMEN on the wall, to boot)?

It was definitely a full-circle moment.

It reminded me how grateful I am to do what I do for a living, and it makes me want to do more, do better, and dream bigger.

A few more pics of characters, real and imaginary, that you might recognize from the Museum’s collection:

If you plan to travel to the Pacific Northwest anytime soon, or if you’ll be coming to Norwescon this year — make sure you check it out!

Selected 2013 Published Works

Here’s a one-stop visual list of highlights from my 2013 published works. The awards nomination season is upon us again (Hugos, Chesleys, World Fantasy Awards, etc.), and it helps to know which works from a creator are eligible for 2014 consideration. If you wish to reference this list for future deliberation and sharing, I hope it proves helpful. Enjoy! 🙂

(above)
THE 2014 JOHN PICACIO CALENDAR
Published by Lone Boy
December 2013
(eligible for the Hugo Award / Best Related Work
and Professional Artist categories)

(above)
EL ARPA
Loteria card illustration
Published by Lone Boy
December 2013
(eligible for the Hugo Best Professional Artist category
and Chesley Award / Best Product Illustration category)

(above)
EL PARAGUAS
Loteria card illustration
Published by Lone Boy
December 2013
(eligible for the Hugo Best Professional Artist category
and Chesley Award / Best Product Illustration category)

(above)

LA LUNA
Loteria card illustration
Published by Lone Boy

December 2013

(eligible for the Hugo Best Professional Artist category
and Chesley Award / Best Product Illustration category)

(above)
THE GOOD LIFE
Editorial illustration
Published by Popular Science
June 2013
(eligible for the Hugo Best Professional Artist category
and Chesley Award / Best Interior Illustration category)

(above)

THE DIAMOND DEEP
Cover illustration for the Brenda Cooper novel
Published by Pyr
October 2013
(eligible for the Hugo Best Professional Artist category
and Chesley Award / Best Paperback Cover Illustration category)

(above)
HAUNTERS
Cover illustration for the Thomas Taylor novel
Published by Scholastic / Chicken House
May 2013
(eligible for the Hugo Best Professional Artist category
and Chesley Award / Best Hardback Cover Illustration category)

(above)
THE FALL OF HYPERION
Cover illustration for the limited edition of the Dan Simmons novel
Published by Subterranean Press
June 2013
(eligible for the Hugo Best Professional Artist category
and Chesley Award / Best Hardback Cover Illustration category)

SF/F Artists: Your 2013 Awards-eligible Works?

This is an open thread to all artists, professional or fan, who would like to post links or summaries of their awards-eligible art from 2013. Bear in mind that for the Hugo Awards and the Chesley Awards, this means that your work must have been published in 2013 (except for Chesley categories such as ‘Unpublished’, of course).

Why post your stuff on a thread like this?

Voters tend to rely on memory when they fill out ballots. It’s a challenge for any voter to remember the work of an entire year and recall not just their favorites, but what was actually published in that given year. If this thread helps voters remember which of your stuff is eligible for consideration, that’s a good thing.

If you’re worried that posting here is campaigning for yourself, don’t sweat it. It’s not cool to pound your chest and campaign for yourself, but it is alright to inform the public about which works of yours are awards-eligible. That’s not just OK — it’s common sense.

Posting your stuff here is not campaigning — and after all — you’re being invited to post. So go for it. 🙂

Final note: this thread is a place for artists to post their own work. It’s not a forum to argue about who should win, or make comments. Let’s keep it streamlined.

And if you really want to be a rock star — it’s super-helpful if you post the awards categories where your work is eligible this year.

Have at it, and good luck, everyone! 🙂

(Shoutout to John Scalzi for inspiring this post.)

It’s In The Cards

Of all the results of the 2014 Calendar’s Kickstarter campaign, the most gratifying for me is seeing the Grande Loteria prototype cards take shape. To the left of the color front and pencil back of my Grande Loteria cards pictured above, you see the traditional Loteria cards from the classic set by Don Clemente Inc. / Pasatiempos Gallo.

There were six Grande cards in the set produced by my recent Kickstarter campaign and to all backers who scored them — THANK YOU. I appreciate you being here. You’ll be able to look back and say, “I was there in the beginning.”

The cards for the game deck will be smaller than these Grande prototypes, but I love the way these big cards fill your hand. These six are art objects, more than playing cards, and that’s why they were designed this big.

I will spend much of my 2014 creating new Loteria artwork and will continue until I achieve forty-eight more finished artworks, so that eventually there will be fifty-four cards of artwork for a new Loteria game.

Right now, I’m packaging up more rewards deliveries for my backers and hoping to have two big shipments heading out today and tomorrow.

Onward!

They’re Here!

You’re looking at the finished products for my 2014 Calendar, companion sketchbook, and six Grande Loteria prototype cards!

Currently packaging and shipping deliveries to all of my Kickstarter backers. In a little more than four days since receiving the goods from the printer, Lone Boy has shipped out 73% of the campaign’s packages. I’m rather proud of that turnaround. More packages shipping today, Monday and Tuesday.

Back to work here.