La Maceta Unveiled! Deluxe Art Prints + Signed Pencils Offer!

‘La Maceta’ Loteria Grande Deluxe Art Print, featuring art by John Picacio. 14″ x 22″.

Grateful for all the love for my latest Loteria Grande Card reveal — ‘La Maceta’ (The Flowerpot). I’ll be unveiling my new website design soon, but you don’t have to wait for that to order deluxe 14″ x 22″ art prints of ‘La Maceta’ and my other Loteria Grande Card offerings. These giclees are printed on acid-free Somerset Velvet fine art paper and signed in the lower right corner. I’ll be producing prints like this for all of my Loteria Grande Card artworks so far, including the ones seen here. If you want one, now is the time to score. I’ll be doing a production run this week! 🙂

Selected Loteria Grande Deluxe Art Prints featuring art by John Picacio. Each measures 14″ x 22″.

Each deluxe art print costs $135 with FREE shipping in the domestic US ($145 if you live in Texas, to cover sales tax). For shipping beyond the domestic US, please add $25.

BONUS OFFER: ALL ORDERS FOR DELUXE ART PRINTS RECEIVED BY THURSDAY, APRIL 30TH (11:59PM CST) WILL INCLUDE AN AUTOGRAPHED PENCIL as a ‘thank you’ gift. These are pencils that I’ve drawn down to the nub, creating various cover artworks and Loteria drawings over the years. Most of them are Faber Castells which I used to use a lot until I switched over to Palomino Blackwings.

This includes not just orders placed by this Thursday for deluxe Loteria art prints, but for deluxe art prints of my ASoIaF and book cover art as well (excluding STAR TREK, X-MEN, and NINTH HOUSE). To order — please email me at john (at) johnpicacio (dot) com and I’ll help you out. And then you’ll be able to Paypal me using the same email address, and you’ll be all set. 🙂

Thanks, all! Please stay well out there!

POP CON 2019: Thank You, SA!!

San Antonio Pop Con 2019San Antonio Pop Con 2019 is a wrap! Thanks for bringing the love yesterday, SA! You were amazing.

I’m hearing that on a very busy events day in the Alamo City, the attendance this year exceeded last year’s inaugural number, and when you consider that the Author and Artist Guest Rosters were loaded with legends, cult favorites, and rising stars — this was a helluva sophomore year for Pop Con. WELL DONE, SAN ANTONIO PUBLIC LIBRARY. Hats off to Pop Con Goddesses and Gods — Rhonda Woolhouse, Connie Hejl, Haley Holmes, and all of the amazing librarians and volunteers who pour their hearts and souls into this unique festival (and thanks to artist Lauren Raye Snow for helping to manage my booth).

San Antonio is the home of Alamo City Comic Con, a major Fall gathering focused upon celebrity autographings, artist appearances, and an ocean of vendors. San Antonio Book Festival is an April tradition focused upon a strict schedule of author-only appearances, but does not welcome the visual arts end of publishing in a significant way. That’s a word-only event. Both are terrific on their own, BUT that leaves a large ‘third-coast’ pop culture territory that is fast becoming the domain of San Antonio Pop Con, where authors and artists lineups are carefully curated by the SAPL, alongside appearances by voice actors and pop icons. Gaming, anime, comics, books, art, YA novels, film, and major screen media fanbases are all celebrated and welcomed here, and it makes this event a potentially potent, annual literary and arts gala.

New York Times-bestselling author Kelley Armstrong and World Fantasy Award-winning artist Gregory Manchess were the headliners this year, along with the legendary Michael Moorcock, bestselling author Shea Serrano, last year’s Pop Con Guest of Honor C. Robert Cargill, Gonzalo Alvarez, Wes Hartman, Allison Stanley, Freddy Lopez, Jr. and many more. I think with increased media support from TV and print outlets, coordinated advance publicity, and continued championing by the SAPL librarians and staff — San Antonio Pop Con can fill a void that no other event can, and it will build a flagship 21st-century culture for a town that’s so often a mere follower, but perhaps is now ready to lead, thanks to SAPL.

I’m sincerely impressed by what Rhonda and team are building here, and as always, I’m grateful to EVERYONE who swung by my booth to score my art swag and especially all of the Loteria Cards, Posters and Prints this weekend. It was a GREAT day. Thank you for allowing me to be a part of it, SAPL!

(Photos by @thepunisher210, Allison Stanley, @casuallyalfred, Lisa Juarez, Tammy Wadzeck, Justin Burke, Dianna Marie Garza, Gonzalo Alvarez, Gregory Manchess.)

Gift Ideas From Worlds Beyond

If you missed Worlds Beyond Gallery at this year’s Alamo City Comic Con, it was one of the stellar art events of 2016. Brom, Todd Lockwood, Peter Mohrbacher, Ruth Sanderson, Jeffrey Alan Love and I were the six featured artists, and thanks to a partnership between ACCC and ASFA (The Association of Science Fiction and Fantasy Artists, headed by Sara Felix), this inaugural gallery exhibition / vendor experience was an eye-popping success. Here are six out-of-this-world holiday gift ideas, for the art lovers in your life — or for yourself. 🙂

LOST GODS: For readers who love classic mythology and modern nightmares — the latest novel written and illustrated by Brom is for you. New York Times best-selling author Richard Kadrey says, “LOST GODS is an adventure tale and a mythic odyssey. It’s like Dante played out in muggy rural graveyards and the depths of Purgatory on the eve of a demonic war.” Pictured upper right is an original Brom painting I happily acquired at Worlds Beyond Gallery. It’s one of the header illustrations in the new book. The bottom images feature Brom’s WBG exhibition setup, as he autographs books and prints for ACCC fans.nov25brom

THE GOLDEN KEY: For readers who love classic fairy tales and timeless art — there’s Ruth Sanderson’s brand-new, gorgeously-illustrated version of the George MacDonald classic. And if you order it before December 1st, she’ll send you a free, autographed book plate. Her scratchboard work is masterful, and I was lucky enough to come home with the amazing Green Man masterpiece you see in the upper right. Thank you, Ruth! She had a terrific display of originals and prints at Worlds Beyond, and across her lengthy bibliography of illustrated children’s’ works, I think THE GOLDEN KEY interiors are some of her all-time best.nov25ruthTHE SUMMER DRAGON: For dragon-loving epic fantasy readers — Todd Lockwood is a beloved artist amongst Dungeons and Dragons fans worldwide, and this is his debut novel as an author / illustrator. It’s one of Amazon.com’s Best Science Fiction / Fantasy Books of 2016. Best-selling SHANNARA author Terry Brooks says, “The master of dragon art brings the same skills to dragon storytelling. This is a compelling, fully realized story which is as detailed and exciting as anything since the Pern tales. A sure winner.”
nov25todd

ANGELARIUM: For Magic The Gathering fans and lovers of lush art prints — Pete has a fan following as an MTG artist, but his current, creator-owned Angelarium work is the best of his career so far. If you want one of his time-limited edition prints of Raziel: Angel of Mysteries — ACT FAST because the deadline to order is Friday, November 25th. If you miss out on that, his ANGELARIUM: BOOK OF EMANATIONS is a winner. I love the way Pete’s building his art brand, and I’m already looking forward to ANGELARIUM: BOOK OF WATCHERS.
nov25pete

NOTES FROM THE SHADOWED CITY: For graphic novel fans — I think this is one of the coolest illustrated stories of the year. It’s a book about swords and magic, memory and loss. The format is not the typical ‘sequential art’ format one expects from a graphic novel, but books like this expand the possibilities of what graphic novels can be. I loved Jeff’s spare and elegant display he exhibited at Worlds Beyond, and I was fortunate to acquire a couple of his small original works, pictured upper and lower right.
nov25jeff

LOTERIA GRANDE CARDS / SERIES TWO: For card collectors, Loteria lovers, and tarot aficionados — this deluxe five-card set debuted at ACCC, and will only be available online until December 5th! Cards measure a giant-size 4.5″ x 7.5″ and are printed on thick card stock, with my final graphite drawings reproduced on the reverse side. Pictured here are the five cards in the new set, as well as a glimpse of my Worlds Beyond Gallery display, featuring eight of the full-size graphite originals exhibited for the first time together.nov25john

Best wishes to everyone this holiday season!

Austin, TX: Winter Is Coming!

'The Others'. Detail from the limited-edition A SONG OF ICE AND FIRE print art by John Picacio.

‘The Others’. Detail from the limited-edition A SONG OF ICE AND FIRE print art by John Picacio.

And so is Loteria! 🙂 Alright, Austin — so I know the temps are hitting 90 degrees right now, and it definitely doesn’t feel like winter. That’s for sure.

So where are my Austin-area Game of Thrones fans? You out there? If you’re glued to every episode like I am, then you know that the series finale is coming soon! BREAKING NEWS: I’ll be appearing in Austin the day before on Saturday, June 13th to talk about the show with fellow fans at Dragon’s Lair (2438 W. Anderson Lane), and I’ll have some of my limited-edition A Song of Ice and Fire prints at special prices for you.

In addition, you’ll have a chance to score my all-new Loteria Grande cards and posters too, and some lucky Dragon’s Lair customers are going to win cool prizes when we play the game of Loteria together that day! Never played Loteria? It’s easy. Think Mexican Bingo. Totally fun. Totally addictive. And it’s the best of times. For all who grew up playing this traditional game of chance with their family and friends (as I did), gather your homies (and any friends who love card games and tarot cards) and come play with me at Dragon’s Lair on Saturday the 13th. Let’s pack the house!

See you there from 12noon to 4pm, Austin!!

DLAIRaustinPOSTER

 

Borderlands Books Is Planning To Close

Borderlands4upIn a statement released earlier this week, San Francisco’s legendary bookstore Borderlands Books is planning to close in March. This is one of the preeminent sf/f specialty bookstores in America, and it’s run by two of the outstanding minds we have in the field in Alan Beatts and Jude Feldman. These are smart, shrewd, dedicated people and losing this establishment is a huge loss for all of sf/f, not just for the San Francisco scene.

As one would imagine, there has been a massive outcry, and many have asked if there is any way to save Borderlands from closing down. Alan and Jude have extensive thoughts on this via the Borderlands newsletter, and I’m sharing those below the asterisks, but first…..

EDITORIAL NOTE: As an industry professional, friend of Alan and Jude, and book fan, I’m posting this on my blog because personally, I want to see if a miracle happy ending for Borderlands might materialize by sharing. Unexpected ideas sometimes happen this way. I think Alan and Jude are being pragmatic and professional, making choices on their own terms, despite very tough odds. That’s their right. They’re not looking for handouts. Any omniscient comments that choose to criticize their choices, or argue about the politics of minimum wage (for or against), will be deleted because they distract from the point of posting this. Arguments about business philosophy can be taken elsewhere. This story is about Alan, Jude, and the human beings who work there. Post here with sensible solutions and calls-to-action. In that spirit, feel free to share. 

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How Could Borderlands Stay Open?
by Alan Beatts

Since April of last year, when it started looking likely that a higher minimum wage ordinance would pass in San Francisco, I’ve been thinking (racking my brain, actually) about ways to keep the store open in the face of a 39% increase in wages.  I’m going to start with what was my final conclusion and then I’m going to go back and touch on several of the other things that I considered.

First though, the basic facts:

1)  The bookselling side of Borderlands has never been terribly profitable.
2)  Based on current business, the new minimum wage, once fully in effect ($15 per hour in 2018) would move the bookstore from being modestly profitable (roughly $3000 in 2013 before depreciation) to showing a yearly loss of roughly $25,000.
3)  It is reasonable to expect that the best-case, long term sales trend for a brick-and-mortar bookstore is relatively flat.
4)  Making 50-60 hours of work, per week, with no real holidays on my part an intrinsic part of our business plan is neither viable long-term nor something I am going to do.
5)  Any solution would need to have a very good chance of working.  Closing now is a straightforward process and doesn’t require any money and a limited amount of frantic work.  Pouring money and / or time into a solution that might work is not something that I’m willing to do at this point in my life.

The only solution that I can see would be to reduce expenses by an amount at least equal to our projected yearly loss.  The only expense that is large enough to reduce by that much is our rent.  So, the only viable solution I can see would be to substantially reduce or eliminate the amount we pay to house the store.  The problem is that I can’t see any realistic way to achieve that.  If I had the money, I would buy a building, move the store there and stop paying rent.  It would be a terrible investment, since I’d be losing out on the income from that money, but if I were driven by profits or money, I wouldn’t be running a bookstore to start with.  On the other hand, I would own a building that would appreciate over time, even in the current over-heated real estate market in SF, so it wouldn’t be a total loss. 

However, I don’t have even a fraction of the money that would be required for that.  Based on the current market and the sort of building we would need, the price tag would probably be somewhere between 1.5 and 3 million dollars.  So, what it gets down to is — if someone (or a group of someones) out there wants to buy us a building, I’ll be happy to move the store and stay in business.  But, otherwise, I cannot see any solution that will allow us an even half-way reasonable chance to make the business work at a minimum wage of $15 an hour.

Do I seriously think that someone will buy us a permanent home for the store?  Not at all.  I would do it for my store, but I don’t think I’d do it for anybody else’s.  On the other hand, if I had as much cash as Ron Conway, Mark Zuckerberg or Elon Musk, I guess I might do something like that.  But, realistically, it’s not going to happen.

But, if it did, I would keep running Borderlands ’til someone carried me out feet first.  I really don’t want to close.  But I can’t see any real, sane alternative.

Here’s the list of the not-completely-insane things that I considered (I’m leaving out the old-school-bus-as-bookmobile and other, crazier things).  I’ll also going to give a thumbnail sketch of the reasons they won’t work.

Increase Income
Obviously if we could sell enough books to make up for the higher wages we were paying, that would fix the problem.  My math says we would need to increase sales by a minimum of 20%. We could increase sales in a couple of ways –

1)  Sell a broader range of books
2)  Sell more of the books we already carry
3)  Sell items other than books, with a higher profit margin
4)  Increase the price of the books we are selling now
5)  Raise prices at the cafe to make up the short-fall

Selling a broader range of books is a problem because; first, we’d have to put a lot of money into inventory.  Adding our mystery section meant spending around $8,000 on inventory and we didn’t finish the job.  Since there isn’t another genre of books that would be a good, logical fit with what we sell now, I think we would need to turn ourselves into a general interest shop.  That would probably cost about $25,000 to $40,000 and we don’t have the money (plus I’d be hesitant to risk that much on a less-than-pretty-sure thing).  Second, we don’t know the field.  We’re excellent at SF and fantasy as well as being damn good at horror and mystery.  But other stuff?  Nope.  As a result, we wouldn’t be very good at selling those books, which is a big problem.  Finally, we don’t have room.  The store is pretty full now.  Granted we could cut out some of the stuff that doesn’t sell so well but we don’t have the 20% extra room to increase our sales by 20%.  

Selling 20% more of the books we already carry is completely beyond reach.  We do a good job at what we do (wouldn’t still be in business if we didn’t).  Adding our mystery section gave our sales a nice boost because we actually added customers, but otherwise our sales have been pretty steady for years (economic crash in 2009 aside).  Based on everyone I’ve talked to, increasing sales by 20% without changing locations, adding inventory, or making some other sort of big change just doesn’t happen in the book world (or most any other retail business).

Selling things other than books is tricky for several reasons.  First, what sort of stuff would we sell, exactly?  It would need to be something that goes, in some way, with books — otherwise it would just be weird.  It would have to be simple so as not to add much to our existing workload.  We already carry things like journals, bookmarks, postcards, and so forth.  We’ve tried selling DVDs (back when people bought such things) and also jewelry.  Neither of those things were much of a success at all.  Second, I’m not sure that idea really works very well for bookstores — it certainly didn’t work for Borders Books.  One of their last-gasp attempts to recover their business involved selling all sorts of crap other than books.  Finally, we got into this business to be booksellers.  Moving a fifth of our sales to something else isn’t something anyone here is very enthusiastic about.  Also, like moving towards becoming a more general interest store, there is the problem of tying up a lo
t of money in inventory that might or might not sell.

All that I’ll say about increasing our prices is that it’s already hard to get people to pay the publisher’s list price for a book.  How often have I heard people say, “I’ll just get it cheaper on Amazon”?  I don’t think that enough people to keep us in business would pay a 10 or 15% surcharge to buy books at Borderlands.  Of course, we could increase the prices on our used books, but they only represent about 7.3% of our sales, so that could never be enough.

I did spend a fair amount of time thinking about increasing the prices at the cafe to make up for the increased wages at the bookstore.  But the math said no.  The problem is that I’m going to have to increase the prices at the cafe to make up for the higher payroll at the cafe. It’s not possible to raise the prices enough to accomplish that as well as raising them enough to cover the bookstore.  We’d price ourselves out of business that way.

Reduce Expenses
OK, so if we can’t get more money coming in, what about reducing the money going out? The catch is that, other than payroll and rent, the bookstore has almost no expenses.  Other than credit card processing (where we have quite a good rate), our highest expense is our PG&E bill . . . which is only about $2000 a year.  In fact, rent, payroll, and credit card processing represent 68% of all our expenses.  There isn’t anything left that we could cut to make up $25,000 a year.

As a result, the only thing we could cut would be payroll.  Most of the people who work at Borderlands are part-time, so cutting any single employee doesn’t make much of a dent. Based (once again) on ugly math, to get the store on a balanced financial footing, I’d have to lay off almost everyone on staff.  Jude Feldman, the general manager, would remain along with one part-time employee.  Jude would need to work the counter from noon to eight, five or six days a week, while I did all the back office work.  In other words, I would continue doing the job I do now along with taking on about half of the job that Jude does.  

That option was one that Jude and I discussed a great deal.  In fact, we went around and around about it.  And finally we decided that it wasn’t something either of us wanted to do. When it gets down to it, as much as we both love bookselling, it’s more important to us to have reasonably sane, healthy lives.  We have both worked the sort of hours that I just described.  In fact, we’ve done it many times over the past 15 years.  However, all the times in the past we did it to accomplish a specific goal.  Neither of us are willing to plan on working those hours as a matter of course, just to keep the store open.

Other Ideas
We could, of course, move the store out of San Francisco to someplace that doesn’t have as high a minimum wage.  But, I suspect that the sales we would lose because of moving somewhere with a less dense population and fewer visitors would create a financial problem almost as bad as what we’re facing.  On top of that, no-one on the staff here (yours truly included) wants to commute a long way to work.  Last but not least, Borderlands is a San Francisco sort of shop.  I don’t think it would flourish in deeply alien soil.

I considered selling (or closing) the cafe and sub-leasing that storefront.  In this market, it would probably rent for more than I’m paying right now.  Of course, it would have to rent for $2000 more a month than I’m paying right now, but even that isn’t out of the question. However, currently my pay comes from the cafe’s income, not the bookstore’s.  So, if I did something with the cafe, I’d have to figure out how to get my pay from the bookstore’s income.  I don’t make much money ($28,000 gross last year), but that’s still a big chunk of money and there is no way that selling the cafe or sub-leasing it could produce enough to make up for the added payroll at the bookstore and my salary.

That thought led me, for about ten seconds, to the thought that I could go get a job elsewhere that would pay me enough to support myself.  In that case, my salary from the cafe could go to the bookstore and it would cover the payroll costs.  But, of course, the two problems there are that I would be working one job while still needing to do my job at the bookstore.  The burn-out there would be something to behold.  Besides, do I really want to work some other job just so I can keep owning a bookstore where I never have time to be a bookseller?  Dumb idea.

Without going even further down into crazy-land, there is only one other thought that I had. We could sell memberships to the store, ask for donations to keep running, or in some other way offset the added payroll by relying on the kindness, generosity and support of our customers.  I have two problems with that idea.  First, Borderlands is a for-profit business that I started with the intention of making money.  I don’t think that it’s right to ask our customers and community to give me their hard-earned dollars so that I can continue to support myself. If I had made the store a non-profit whose purpose was to promote genre fiction, that would be a different matter but — that’s not what I did. And so I don’t think that it’s right for me to ask for continual hand-outs so that I can stay in business.  The second problem that I have is that it wouldn’t work.  Over the years I’ve seen many stores try many things to remain in business. Asking your customers and community for support wo
rks wonderfully — as long as it is to accomplish a specific goal.  But I have never seen a success come from counting on that sort of support to maintain a functioning business over the long term.

The last thing I should address is the possibility of selling the store to someone who either has more money to put into it than I or is willing to work the sort of crazy hours I did when I opened.  Or, I suppose, the possibility of turning it into a non-profit by creating a suitable entity, raising money for that entity, and then selling the store to it.

Not going to happen.

There is a very fine and chilling SF story by Tom Godwin called “The Cold Equations”.  If you’re not familiar with it, you should read it (despite the arguably fair complaint that it depends on good physics and lousy engineering).  The core of the story is that math leads to conclusions that cannot be argued with, regardless of what seems right, fair or just.  And the math about Borderlands says that what we’ve been doing won’t work anymore.

Everyone at Borderlands has seen a slow, sad spiral that a bookstore goes through when the money just doesn’t work out anymore.  I’ll bet that many of the people reading this have seen it too.  It’s heart-breaking and, perhaps worse, it creates a set of memories that overlay the good ones of the store in its prime.

It may be hugely arrogant, but I don’t believe that any owner can beat the cold equations that we’re facing.  When I first discussed our situation with the staff the feeling was unanimous (and, in a couple of cases, very emphatic) that we wanted to close the store with all the care, class and consideration for our customers with which we had run it.  That is both the reason that the store is not for sale, and also the reason that we’re closing now, long before higher wages drag us down the drain.

One footnote before I end this.  It might seem that my suggestion at the beginning of this essay, that the only real solution to the problem is for someone to give us a building, doesn’t really match up with my opposition to asking for a hand-out so that I can keep running my business.  Let me clarify that — if someone wanted to give Borderlands a building to operate out of, I would actually say no because it would be a hand-out.

My counter-offer would be that I would be thrilled to set up (or help set up) a non-profit foundation to own and manage a building with the express purpose of housing a bookstore (or bookstores) as a literary and community resource.  Of course, I’d be thrilled if Borderlands was the first tenant.  The beautiful thing about that idea is that, regardless of Borderlands’ financial health (or mine), a place like that could serve as a permanent support for bookselling, no matter how much the world and San Francisco changes.  As I said at the beginning of this post, I don’t think that there is a snowball’s chance in hell that it will happen.  However, I’m likely to have more spare time on my hands in six months to a year.  Starting that foundation and seeing if it’s possible to make it happen for some other store might be a good way to spend some time.