Worldcon 2019 in Dublin

Andrea Chapela, Sara Felix, John Picacio, Julia Rios, Libia Brenda Castro, and Lauren Snow at the 2019 Hugo Losers Party / The Mexicanx InitiativeI’ve been busy handling some family matters this month, and in the midst of those, I ventured to Dublin for this year’s World Science Fiction Convention. I couldn’t miss it, considering www.mexicanxinitiative.com was a Finalist for the Hugo for Best Related Work. Proud to be part of the fearsome foursome listed for that recognition along with Julia Rios, Libia Brenda Castro, and Pablo Defendini. I’m even prouder to say that Libia is the first Mexican woman to ever be nominated for the Hugo in the 77-year history of Worldcon.

As if that weren’t enough reason — I was also a Hugo Award Finalist for Best Professional Artist. My cousin Adria Gonzales had never attended a Worldcon before last year’s in San Jose, and she was an ace, shadowing me across all of my Guest of Honor appearances and Hugo MC responsibilities, managing me as I juggled balls of fire. This year’s Worldcon was less perilous, and she wanted to be there. Our first major stop was St. Michan’s Church — because I couldn’t resist when I read this was one of Dublin’s most macabre sites, built on the site of an old Norse chapel in 1095. It delivered. The dank limestone walls are apparently ideal for preserving death so we got up-close and personal with their resident mummies.

St. Michan's Mummies

Next, Adria and I headed to the Jameson Distillery. Let it be known that I hate guided tours. We had already endured one at St. Michan’s — and happily, it was actually quite good. I was reluctant to press my luck at the distillery though. Adria ordered each of us a Jameson ‘Our Way’ Old Fashioned. It’s one of the best cocktails I’ve ever had. So good that I returned on three later occasions for these drinks, and when we took the tour, we had the good fortune to have the great Niall Stewart leading our exploration of how Jameson whiskey is made. A master showman and storyteller, he made me want to reinvent how I present my own work in front of audiences. After the tour finished, I talked to Niall and it turned out that his late brother David was a diehard Worldcon fan who dreamed of someday bringing the event to Dublin. Sadly, David died in 2006 — thirteen years before his dream would be realized. Niall recounted with great pride his brother’s love for science fiction and it won’t be forgotten. Here’s to you, David.

Jameson Distillery Chandelier

The next day, I presented my slideshow ‘The Art of John Picacio’ on an Odeon Cinema screen. It was the first day of Worldcon, and all art proceedings were located a full half-mile from the rest of the convention. It was doubtful there would be much of an audience for my afternoon presentation, and indeed, it started with barely a handful of people in the seats. The art looked *really* good on that big screen though, so I began, and with each passing minute — more and more people kept streaming in, until most of the theatre was full. It was terrific, and I’m grateful not only to all that attended but everyone that thronged my Creators Alley table all weekend. Loteria Grande Cards and Posters sold briskly and those sales once again show that what I’m doing with this art series is connecting across borders and oceans. Thank you, everyone — In Loteria We Trust. More coming this fall.

Loteria Grande Cards and Posters by John Picacio

There was a lot to be grateful for at this Worldcon. Thank you to James Bacon and the entire Dublin 2019 staff for all their hard work. Thank you to the Brotherhood Without Banners for always looking out. Thank you to George R. R. Martin, Parris, Raya Golden, Ti Mikkel, and company for crafting a Hugo Losers Party For The Ages. This one was at the Guinness Storehouse. It was off-the-charts and a privilege to be there with friends and peers. Thank you to everyone who nominated me and The Mexicanx Initiative for Hugo Awards this year. CONGRATULATIONS to all of the Finalists and Winners!

2019 Hugo Awards and Losers Party / Andrea Chapela, LIbia Brenda Castro, Lauren Raye Snow, Jeanette Epps, Sara Felix, John Picacio

Above all though — the highlight of this convention for me was my fellow Mexicanx who made the trip. Libia isn’t just a Hugo-nominated Mexican editor, but an editorial force of nature who will impact this field worldwide for decades to come. Ignore her at your own peril. This was her first Hugo nomination and it won’t be her last.

George R. R. Martin and Libia Brenda Castro entering the 2019 Hugo Losers Party

I loved her poise and her cool, as she savored the moment, and the same goes for Andrea Chapela. She’s figuring out who she is, and she has no fear. Of all of us in the Initiative, I think she’s going to have one of the most dominant presences, when it’s all said and done. Artist Lauren Snow hustled like there was no tomorrow, all weekend long. She made connections toward building her art career and that was her goal. There’s a lot of talent in the world, but talent is wasted if it’s not driven, and she is. Sara Felix created much of the branding for Dublin’s Worldcon, co-designed last year’s Hugo Award base, crafted the Lodestar Award and this year’s Special Committee Award, and has found a growing audience for her evolving art. She did all of this, while also serving as President of The Association of Science Fiction and Fantasy Artists (ASFA). This year was her first nomination for Best Fan Artist, and honestly, I don’t think anyone had a stronger overall fan art resumé than Sara. I look forward to her being back in the running next year. And then there was Julia — nominated for three Hugo Awards and one of my favorites because she’s so shrewd. When she talks, I learn things. We didn’t spend much time together at this Worldcon, but there would not have been a Hugo nomination for www.mexicanxinitiative.com without her. Thank you, Julia.

Lastly — thank you to Adria for being there throughout from Dublin through London, and back home. It was epic. 🙂 #JamesonOldFashionedFTW

Signing off now to pack for Lightbox Expo in Pasadena, CA — see you there, Art Friends and Fiends!

(photo credits: Julia Rios, Sara Felix, Libia Brenda, Adria Gonzales, Andrea Chapela, John Picacio)

Mexicanx Initiative at Dublin's Jameson Distillery / 2019

2019 Hugo Award Thoughts

There’s a new Hugo Award category this year. It’s called “Best Art Book” — not to be confused with “Best Graphic Story”.

And yet, I suspect some will confuse the two, so I’ll offer how I’m clarifying my own ballot selections, choosing from works released in 2018.

If a book tells a story with pictures carrying the narrative (with or without words) — whether that be comics, big illustration / word spreads, pictures and words as call-and-response, or pictures alone — then consider it under “Graphic Story”.

If a book is a folio of pictures without story, and the words are nothing more than museum text stating the title of the picture and not much more — then consider it under “Best Art Book”.

So for instance, Shaun Tan’s Tales from the Inner City (published by Scholastic / Arthur A. Levine Books) and Jeffrey Alan Love’s The Thousand Demon Tree (published by Flesk) both tell complete visual stories. Tan’s features more prose, but the interplay with his pictures is essential to the storytelling. Remove either, and you have a very different animal. On the other hand, Love’s story is wordless and builds a dynamic, evocative tale. Both works belong under “Best Graphic Story”.

Meanwhile, illustration annuals such as Infected By Art, Volume 6 (edited by Todd Spoor and Bill Cox / published by Art Order) fit perfectly in the Best Art Book category. So do single artist folios such as Beyond Science Fiction: The Alternative Realism of Michael Whelan (published by Baby Tattoo Books), which is essentially a ‘greatest hits collection’ of the one of sf/f’s most influential visual artists. These books are not works of storytelling, so much as essential visual showcases. So go with “Best Art Book” for selections like these.

Hopefully that helps!

I’ve got a couple of other Hugo-related suggestions, in other categories.

THE JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER: Remember that there is a growing wave of creators who are both artist and author, debuting with dynamic and deserving story works. Gregory Manchess’ Above The Timberline released in 2017, but because it’s his debut as a writer, that would mean 2019 is his final year of eligibility for this award because new writers have two years of eligibility for this recognition. Same goes for Armand Baltazar’s Timeless, a 600-page(!!) graphic epic. Both stories required years in the making, and are singular works poised to stand the test of time. Both writers are deserving of consideration in the John W. Campbell category and shouldn’t be forgotten because they wrote stories that weave pictures with words.
The Mexicanx Initiative / Founded by John Picacio / Worldcon 76
BEST RELATED WORK: Finally, I will humbly offer that on the morning after Mexican actress Yalitza Aparicio became only the second Mexican woman to ever be nominated for the Best Actress Oscar, the 2019 Hugo Awards have a chance to make history as well. Editor Julia Rios has curated an amazing website: www.mexicaninitiative.com / The Mexicanx Initiative Experience at Worldcon 76. It crystallizes the groundbreaking Mexicanx Initiative that brought 42 all-star creators together for the first time, opening the door to a new wave of Mexicanx sf/f. That website grants (free of charge) access to exclusive words and images from these creators, as well as Libia Brenda’s stunning anthology A Larger Reality / Una Realidad Más Amplia, which debuted at Worldcon 76.

THE OFFICIAL ENTRY BEING OFFERED FOR HUGO AWARD CONSIDERATION IN THE BEST RELATED WORK CATEGORY IS:
www.mexicanxinitiative.com / The Mexicanx Initiative Experience at Worldcon 76
(Julia Rios, Libia Brenda Castro, Pablo Defendini, John Picacio)

Full disclosure: Julia and Libia have asked that Pablo and I be included in the entry because Pablo created the site, and I founded the M.I.

If nominated, Libia would become the first Mexican woman ever nominated for a Hugo Award in its 77-year history — a ceiling long overdue to be shattered.

BEST PROFESSIONAL ARTIST: And yes — in case you’re wondering if I’m eligible for Best Professional Artist — I am! But I’m curious who else you’re considering in this category. I’m wondering if I should do a blog post down the road on this.

On that note — any suggestions in the Best Art Book and Best Graphic Story categories? Any other artist / authors that should be considered for the Campbell? Let me know. Happy Nominating! 🙂