Things I Learned At Lightbox Expo 2019

Lightbox Expo 2019* Bobby Chiu and Jim Demonakos know what the hell they’re doing. Together with Nancy Cho, their advisors and volunteers, they just spearheaded the first Lightbox Expo — the most high-octane, smoothly-oiled convention debut I’ve ever seen. It was all about the art and the artists, with the kind of underwriting I’ve never seen for an art event (Weta, Pixar, Dreamworks, Sony, Netflix, etc.). Take a bow, Bobby, Jim, and ALL OF YOU.

* The next time you spot ‘The Artist / Author’ panel scheduled at Lightbox Expo? Highlight that one and get in line EARLY because this past Saturday at 10am, that line ran almost the entire length of the building!! Thanks to all who came out. I had a blast moderating mega-talents Armand Baltazar, Greg Manchess, Mia Araujo, and Iain McCaig. Hopefully Lightbox does this one again next year!

* All conventions should have vast VIP rooms with giant white leather couches and refreshments. (Bless you, Lightbox.)

* I now know how to correctly pronounce Iris Compiet‘s name. And you can too. 🙂 EEDris COHM-peet (that ‘r’ sound is very subtle….roll gently) We did a panel together and this weekend was the first time we’ve crossed paths in person. Terrific presence.Iris Compiet and Allen Williams at Lightbox Expo 2019* Camilla d’Errico is a genius. She’s not only one of the reigning queens of pop surrealism (knew that), but she understands branding and art marketing backwards and forwards. When she talks, take notes.Camilla d'Errico at Lightbox Expo 2019* My booth neighbor Jason Chan is a good dude. We both thank the ghostly presence of Justin ‘Coro’ Kaufman for his generosity. “Looks like you guys can go double-wide.”

* Robbie Treviño (pictured left with Coro Kaufman) can devour a plate of food at terrifying speed. This man is a beast and one of my favorite rising star artists. I scored a copy of his NUMINOUS book and I love what he’s doing.Robbie Treviño and Justin 'Coro' Kaufman at Lightbox Expo 2019* It is impossible not to like Te Hu. There should be more in the world, but there can be only one.

* One of my favorite draughtsman anywhere, Gary Villarreal, has visions toward becoming a mural artist. San Antonio building owners — get this man on speed-dial and fly him in, so we can be one of the first with a GV urban masterpiece.

* I need to start listening to Jason Seiler’s ‘Face The Truth’ podcast. Good times doing a panel with him at Lightbox.

* ArtStation is mobilizing some amazing education, outreach, and community building. Need to get up-to-speed with the new things Daniel Wade and Randall Mackey are up to. Pictured here left to right: Robbie Treviño, Gary Villarreal, me, Camilla d’Errico, and Randall.Robbie Treviño, Gary Villarreal, John Picacio, Camilla d'Errico, and Randall Mackey at Lightbox Expo 2019Congratulations again to Bobby, Jim, Nancy and team. This show’s success was seismic and will ripple for a long while to come. The joy and energy in that building were palpable all weekend, and there were so many things ‘done right’ — a historic weekend for sf/f art.

Worldcon 2019 in Dublin

Andrea Chapela, Sara Felix, John Picacio, Julia Rios, Libia Brenda Castro, and Lauren Snow at the 2019 Hugo Losers Party / The Mexicanx InitiativeI’ve been busy handling some family matters this month, and in the midst of those, I ventured to Dublin for this year’s World Science Fiction Convention. I couldn’t miss it, considering www.mexicanxinitiative.com was a Finalist for the Hugo for Best Related Work. Proud to be part of the fearsome foursome listed for that recognition along with Julia Rios, Libia Brenda Castro, and Pablo Defendini. I’m even prouder to say that Libia is the first Mexican woman to ever be nominated for the Hugo in the 77-year history of Worldcon.

As if that weren’t enough reason — I was also a Hugo Award Finalist for Best Professional Artist. My cousin Adria Gonzales had never attended a Worldcon before last year’s in San Jose, and she was an ace, shadowing me across all of my Guest of Honor appearances and Hugo MC responsibilities, managing me as I juggled balls of fire. This year’s Worldcon was less perilous, and she wanted to be there. Our first major stop was St. Michan’s Church — because I couldn’t resist when I read this was one of Dublin’s most macabre sites, built on the site of an old Norse chapel in 1095. It delivered. The dank limestone walls are apparently ideal for preserving death so we got up-close and personal with their resident mummies.

St. Michan's Mummies

Next, Adria and I headed to the Jameson Distillery. Let it be known that I hate guided tours. We had already endured one at St. Michan’s — and happily, it was actually quite good. I was reluctant to press my luck at the distillery though. Adria ordered each of us a Jameson ‘Our Way’ Old Fashioned. It’s one of the best cocktails I’ve ever had. So good that I returned on three later occasions for these drinks, and when we took the tour, we had the good fortune to have the great Niall Stewart leading our exploration of how Jameson whiskey is made. A master showman and storyteller, he made me want to reinvent how I present my own work in front of audiences. After the tour finished, I talked to Niall and it turned out that his late brother David was a diehard Worldcon fan who dreamed of someday bringing the event to Dublin. Sadly, David died in 2006 — thirteen years before his dream would be realized. Niall recounted with great pride his brother’s love for science fiction and it won’t be forgotten. Here’s to you, David.

Jameson Distillery Chandelier

The next day, I presented my slideshow ‘The Art of John Picacio’ on an Odeon Cinema screen. It was the first day of Worldcon, and all art proceedings were located a full half-mile from the rest of the convention. It was doubtful there would be much of an audience for my afternoon presentation, and indeed, it started with barely a handful of people in the seats. The art looked *really* good on that big screen though, so I began, and with each passing minute — more and more people kept streaming in, until most of the theatre was full. It was terrific, and I’m grateful not only to all that attended but everyone that thronged my Creators Alley table all weekend. Loteria Grande Cards and Posters sold briskly and those sales once again show that what I’m doing with this art series is connecting across borders and oceans. Thank you, everyone — In Loteria We Trust. More coming this fall.

Loteria Grande Cards and Posters by John Picacio

There was a lot to be grateful for at this Worldcon. Thank you to James Bacon and the entire Dublin 2019 staff for all their hard work. Thank you to the Brotherhood Without Banners for always looking out. Thank you to George R. R. Martin, Parris, Raya Golden, Ti Mikkel, and company for crafting a Hugo Losers Party For The Ages. This one was at the Guinness Storehouse. It was off-the-charts and a privilege to be there with friends and peers. Thank you to everyone who nominated me and The Mexicanx Initiative for Hugo Awards this year. CONGRATULATIONS to all of the Finalists and Winners!

2019 Hugo Awards and Losers Party / Andrea Chapela, LIbia Brenda Castro, Lauren Raye Snow, Jeanette Epps, Sara Felix, John Picacio

Above all though — the highlight of this convention for me was my fellow Mexicanx who made the trip. Libia isn’t just a Hugo-nominated Mexican editor, but an editorial force of nature who will impact this field worldwide for decades to come. Ignore her at your own peril. This was her first Hugo nomination and it won’t be her last.

George R. R. Martin and Libia Brenda Castro entering the 2019 Hugo Losers Party

I loved her poise and her cool, as she savored the moment, and the same goes for Andrea Chapela. She’s figuring out who she is, and she has no fear. Of all of us in the Initiative, I think she’s going to have one of the most dominant presences, when it’s all said and done. Artist Lauren Snow hustled like there was no tomorrow, all weekend long. She made connections toward building her art career and that was her goal. There’s a lot of talent in the world, but talent is wasted if it’s not driven, and she is. Sara Felix created much of the branding for Dublin’s Worldcon, co-designed last year’s Hugo Award base, crafted the Lodestar Award and this year’s Special Committee Award, and has found a growing audience for her evolving art. She did all of this, while also serving as President of The Association of Science Fiction and Fantasy Artists (ASFA). This year was her first nomination for Best Fan Artist, and honestly, I don’t think anyone had a stronger overall fan art resumé than Sara. I look forward to her being back in the running next year. And then there was Julia — nominated for three Hugo Awards and one of my favorites because she’s so shrewd. When she talks, I learn things. We didn’t spend much time together at this Worldcon, but there would not have been a Hugo nomination for www.mexicanxinitiative.com without her. Thank you, Julia.

Lastly — thank you to Adria for being there throughout from Dublin through London, and back home. It was epic. 🙂 #JamesonOldFashionedFTW

Signing off now to pack for Lightbox Expo in Pasadena, CA — see you there, Art Friends and Fiends!

(photo credits: Julia Rios, Sara Felix, Libia Brenda, Adria Gonzales, Andrea Chapela, John Picacio)

Mexicanx Initiative at Dublin's Jameson Distillery / 2019

2019 Hugo Award Thoughts

There’s a new Hugo Award category this year. It’s called “Best Art Book” — not to be confused with “Best Graphic Story”.

And yet, I suspect some will confuse the two, so I’ll offer how I’m clarifying my own ballot selections, choosing from works released in 2018.

If a book tells a story with pictures carrying the narrative (with or without words) — whether that be comics, big illustration / word spreads, pictures and words as call-and-response, or pictures alone — then consider it under “Graphic Story”.

If a book is a folio of pictures without story, and the words are nothing more than museum text stating the title of the picture and not much more — then consider it under “Best Art Book”.

So for instance, Shaun Tan’s Tales from the Inner City (published by Scholastic / Arthur A. Levine Books) and Jeffrey Alan Love’s The Thousand Demon Tree (published by Flesk) both tell complete visual stories. Tan’s features more prose, but the interplay with his pictures is essential to the storytelling. Remove either, and you have a very different animal. On the other hand, Love’s story is wordless and builds a dynamic, evocative tale. Both works belong under “Best Graphic Story”.

Meanwhile, illustration annuals such as Infected By Art, Volume 6 (edited by Todd Spoor and Bill Cox / published by Art Order) fit perfectly in the Best Art Book category. So do single artist folios such as Beyond Science Fiction: The Alternative Realism of Michael Whelan (published by Baby Tattoo Books), which is essentially a ‘greatest hits collection’ of the one of sf/f’s most influential visual artists. These books are not works of storytelling, so much as essential visual showcases. So go with “Best Art Book” for selections like these.

Hopefully that helps!

I’ve got a couple of other Hugo-related suggestions, in other categories.

THE JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER: Remember that there is a growing wave of creators who are both artist and author, debuting with dynamic and deserving story works. Gregory Manchess’ Above The Timberline released in 2017, but because it’s his debut as a writer, that would mean 2019 is his final year of eligibility for this award because new writers have two years of eligibility for this recognition. Same goes for Armand Baltazar’s Timeless, a 600-page(!!) graphic epic. Both stories required years in the making, and are singular works poised to stand the test of time. Both writers are deserving of consideration in the John W. Campbell category and shouldn’t be forgotten because they wrote stories that weave pictures with words.
The Mexicanx Initiative / Founded by John Picacio / Worldcon 76
BEST RELATED WORK: Finally, I will humbly offer that on the morning after Mexican actress Yalitza Aparicio became only the second Mexican woman to ever be nominated for the Best Actress Oscar, the 2019 Hugo Awards have a chance to make history as well. Editor Julia Rios has curated an amazing website: www.mexicaninitiative.com / The Mexicanx Initiative Experience at Worldcon 76. It crystallizes the groundbreaking Mexicanx Initiative that brought 42 all-star creators together for the first time, opening the door to a new wave of Mexicanx sf/f. That website grants (free of charge) access to exclusive words and images from these creators, as well as Libia Brenda’s stunning anthology A Larger Reality / Una Realidad Más Amplia, which debuted at Worldcon 76.

THE OFFICIAL ENTRY BEING OFFERED FOR HUGO AWARD CONSIDERATION IN THE BEST RELATED WORK CATEGORY IS:
www.mexicanxinitiative.com / The Mexicanx Initiative Experience at Worldcon 76
(Julia Rios, Libia Brenda Castro, Pablo Defendini, John Picacio)

Full disclosure: Julia and Libia have asked that Pablo and I be included in the entry because Pablo created the site, and I founded the M.I.

If nominated, Libia would become the first Mexican woman ever nominated for a Hugo Award in its 77-year history — a ceiling long overdue to be shattered.

BEST PROFESSIONAL ARTIST: And yes — in case you’re wondering if I’m eligible for Best Professional Artist — I am! But I’m curious who else you’re considering in this category. I’m wondering if I should do a blog post down the road on this.

On that note — any suggestions in the Best Art Book and Best Graphic Story categories? Any other artist / authors that should be considered for the Campbell? Let me know. Happy Nominating! 🙂

INFINITE WORLDS RECEPTION / AUSTIN, TX

ASFA President Sara Felix has done what many thought impossible — created and curated a successful science fiction / fantasy gallery event that’s not located on a coast. The show is called Infinite Worlds and the reception was this past Saturday, November 10th at the Dougherty Arts Center in Austin, TX (sponsored by The Association of Science Fiction and Fantasy Artists (ASFA)).

It will continue to run until Saturday, December 1st, so if you haven’t experienced it yet — SEE IT.

10% of the featured artworks were sold before the reception even opened its doors! And YES, COLLECTORS — almost all of the art on display is for sale. The Dougherty’s receptionists will be happy to direct you to the price list. 🙂 The reception’s attendance was robust. The artist roster is a who’s who of major sf/f artists from rising stars to masters of the field, and many of them attended the reception including Mariana Palova, Vincent Villafranca, Gary Villarreal, Tehani Farr, Priscilla Kim, Lauren Raye Snow, Dianita, Cody Jimenez, Kiri Østergaard Leonard, Mariya Prytula, Melissa Gay, Sara Felix, and yours truly.

My original art for the Wild Cards story ‘Evernight’ by Victor Milán (pictured right) is available for purchase during this show (graphite, 16″x20″, $1200), and my original Loteria art for ‘La Campana’ is also on display, although not for sale at this time.

It’s sometimes said that the middle of the US doesn’t have a big enough population of major artists and hungry collectors to support exhibitions of this caliber. Sara’s Infinite Worlds exhibition might end up being a gamechanger in that regard, especially if this becomes the first of a tradition in one of the most pop-culture savvy cities in America.

Art fans and collectors descend upon ASFA’s Infinite Worlds show in Austin, TX.

ASFA President Sara Felix delivers the opening welcome, with an assist from her daughter Eva.

Art by Tehani Farr, Vanessa Lemen, Francis Vallejo, Lauren Raye Snow, John Jude Palencar, Vincent Villafranca, and the Shiflett Brothers.

Art by Cody Jimenez, Sam Flegal, Ingrid Kallick, Eric Wilkerson, Greg Ruth, Vincent Villafranca, and the Shiflett Brothers.

Artist Cody Jimenez and his daughter. (Cody’s painting sold at the show before the Reception even opened its doors!)

Artist Dianita Ceron.

Detail of Vanessa Lemen’s ‘Time Will Tell’.

Detail of Eric Wilkerson’s ‘Alien Lives Matter’.

Detail of Tehani Farr’s ‘Ayla’.

Detail of Sara Felix’s ‘Geodes In Space’. (Sara’s piece also sold at the show before the Reception even began.)

Artist Priscilla Kim in a staring contest with my original Loteria art for ‘La Campana’.

Check out Sara Felix’s photo gallery for more views of the exhibition!

Constellation Nebraska

Memo to sf/f pros and fans: DO NOT SLEEP ON NEBRASKA.

I was the Artist Guest of Honor at Constellation 9 in Lincoln, Nebraska this past weekend. It’s a small sf/f convention — the kind that pulls a modest 350-person attendance and serves a ‘big tent’ approach to fandom, celebrating art, books, films, TV, anime, gaming, cosplay and more. However, in all of my years of attending conventions, I’ve never seen a show with bigger heart. How big are we talking here?

Big enough to take The Mexicanx Initiative‘s $4333 remaining distance toward its $15,000 Assistance Fund goal and CRUSH IT in a single, unrelenting, hellacious Saturday Night Charity Auction.

That’s right.

MISSION ACCOMPLISHED for The Mexicanx Initiative’s Assistance Fund — we reached our $15,000 goal this past Saturday night, thanks to everyone who gave in recent weeks and finished off by the incredible sf/f fandom of Constellation Nebraska, who believe in an American dream where all cultures are represented and welcomed. Shoutouts to Nanci H., Sam S., Nate W., Theron, Brian H., and the greatness of Dylan N. of NebrasKon (pictured upper right), who offered to shave his head AND his beard in order to raise money for The Initiative, generating a thunderous roar from the approving mob, reportedly causing onlookers to pass out. It was an epic night, hosted by John Pershing and Richard Graham, and by the end of the three-hour fever dream, Constellation Nebraska generated a whopping, record-setting $4,444, which brought the Mexicanx Initiative’s Assistance Fund total to $15,121!

And Nebraska wasn’t done — on Sunday, more contributions arrived, bringing The Mexicanx Initiative’s Assistance Fund total to $15,304.19 — $4,627.19 of that coming from the hearts, souls, and hairlines of the legendary Nebraskan people. Every dollar of that will benefit the 50 Mexicanx all-star pros and fans attending Worldcon 76 this summer.

This was Constellation’s ninth convention. I think this event has room to grow. They’ve got a great facility and great core leadership. I’ve seen my art on countless convention t-shirts over the years, but I’ve never seen one cooler than Constellation 9’s. I will wear it proudly. Thank you to Rod, Jodie, Jeff, Terri, Patricia(!!), Ray(!!), Mary, Noel, Carrie, Nate, Tom, Justin, Leia Buns, and of course, Nanci, for everything you did. It was a terrific weekend, and I look forward to seeing this convention become bigger and better in its next ten years.

In Loteria We Trust.

Dream On

I’m back in studio after spending most of this past week in the Bay Area. I did several rounds of outreach talks and presentations at San Jose State University, discussing sf/f art, career paths, The Mexicanx Initiative, Worldcon 76, and more. The kids were passionate and amazing. SJSU has an incredible Mexican-American Studies program and cultural heritage emphasis, and last year when I was asked to be Worldcon’s Artist Guest of Honor, I knew I wanted to reach out to this university because of their excellence in those departments. SJSU is also located within a few minutes’ walk from the site of this year’s Worldcon. As expected, there was a fantastic range of racial diversity, but I was especially glad to see so many DREAMers and Mexicanx in the audiences. I hope to see them again when they attend their first Worldcon and first Hugo Awards Ceremony this August.

Thank you to Kathryn Blackmer Reyes, Vanessa Fernández, Julia Curry, Andrew Blanton, Lily Pinedo Gangai, Marcos Pizarro, Sonja Daniels, Bonnie Sugiyama, and everyone who made my visit possible. Kathryn did incredible work, championing and arranging this endeavor. It would not have happened without her leadership. And again — MUCHAS GRACIAS to all of the students who were so incredible all week long.

After the SJSU appearances, I did a Loteria Game Night and Poster Signing at Borderlands Books in San Francisco. Thank you to everyone who came to play on a rainy night, and especially to Alan Beatts and Jude Feldman for hosting. I know many of the friends that night will be attending Worldcon this summer and I can’t wait to see them again.

“There Is Another.”

On January 24th, I created The Mexicanx Initiative to sponsor Worldcon 76 Attending Memberships for a few deserving Mexicanx sf/f professionals and fans to attend the con. It was an idea I imagined when I was named Artist Guest of Honor last August, and the idea quickly became a ‘thing’ as some amazing friends and allies joined in, until we fully funded 50(!!!) Attending Memberships to Worldcon this summer.

The number of requests for these memberships has been overwhelming, rolling in from north and south of the current US/Mexico border — and they continue to roll in. To date, we’ve granted 34 Attending Memberships and you can see those amazing all-star Recipients pictured above. That means 16 more decisions have to be made in the coming weeks. I’ve been moving at a fast, but thorough pace, announcing several per week, but that will now slow down as final roster spots are considered. So once that’s done, mission accomplished, right?

Not quite.

Publicly, I’ve been generating Sponsorship money for the Mexicanx Initiative’s Membership Fund, but all the while, I’ve also been secretly working on a second Mexicanx Initiative Fund.

Enter the M.I.’s Assistance Fund.

While the initial Membership Fund is essentially “mission accomplished” because we fully funded 50 Attending Memberships, the Assistance Fund has been accepting separate monies since January, for helping Recipients with their travel, hotel and food needs because so many face an expensive, sometimes complex, journey. I’ve been doing that without going public, but as of today — anyone can give to The Fund, encouraging diversity and inclusion toward a stronger, more balanced sf/f field.

And here’s where you make it happen:
Donate To MEXICANX INITIATIVE ASSISTANCE FUND.

Your money will go directly to Worldcon’s Treasury. They will allocate it toward The Assistance Fund (different from the already-completed Sponsored Membership Fund). How will the Assistance Fund money be distributed to the Recipients? Every dollar will be given to the Recipients via Worldcon 76’s Registration Team at the convention in August, and will be distributed in equal portions. I suspect our south-of-the-border Mexicanx will receive the bulk of the funds, divided evenly amongst them. The north-of-the-border Mexicanx will receive the remainder, again divided evenly amongst them. No Assistance grants will be distributed until funding is completed, but 100% will go to our Membership Recipients at Worldcon 76.

This way, all will receive a share of assistance, but the south-of-the-border attendees will receive more than the north, which is what I want. In the coming weeks, I hope we can generate at least $15,000 to help these folks make their Worldcon dream come true, and from what I’m hearing, we already have $6000 toward that figure.

Let’s do this.

Appreciated, all.

In Loteria We Trust.

California Dreaming

I’ll be in the Bay Area this month — talking art, process, Game of Thrones, Loteria, The Mexicanx Initiative, World Science Fiction Convention, and how to live the life you most want. Here’s where you can find me.

WEDNESDAY • MARCH 14TH

Daytime: Student-Only Appearances at San Jose State University

5:30pm at San Jose State University: “The Art of John Picacio” — a FREE, open-to-the-public slideshow lecture about my science fiction/fantasy art career, featuring working process of my book cover artworks and product illustrations for properties such as Star Trek, the X-Men, and George R. R. Martin’s A Song of Ice and Fire, plus my own reimagining of the classic Loteria cards. There will be Q+A, as well as a short reception immediately after. (Dr. Martin Luther King, Jr. Library • Room 225)

ALSO: Heads up, Mexicanx (people of Mexican American heritage or Mexican citizens)! If you’re a fan of science fiction / fantasy literature or art, or aspiring sf/f professional, and have always wanted to attend a World Science Fiction Convention, let me know why you should come to Worldcon in San Jose and you might just get sponsored for a free Attending Membership ($230 value) to this summer’s convention, courtesy of The Mexicanx Initiative. Offer open to SJSU students and faculty. Drop a comment below, if interested.

THURSDAY • MARCH 15TH

Daytime: Student-Only Appearances at San Jose State University

7pm at San Francisco’s Borderlands Books: LOTERIA GAME NIGHT + POSTER SIGNING — Come win fantastic prizes! I’ll be hosting several rounds of Loteria, the popular Mexican game of chance (AKA ‘Mexican Bingo’). It’s free, fast-paced and easy to play. Open to the public. I’ll also be signing my limited-run Loteria Grande Art Cards and Posters while supplies last!

See you soon, Northern California!

Your 2018 Hugo Awards MC Is….

This weekend, the 76th World Science Fiction Convention announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also opening the Hugo Awards’ Nominations Period! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.

There’s some history that comes along with this role.

• I’m the first visual artist to be named a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists. (Note: If anyone discovers another visual artist MCed the Hugos, let me know, but from the records I’ve seen, it hasn’t happened yet.)

• I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. 😉

• I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.

This year’s Hugos are going to be epic, people. We will celebrate the best authors, artists, editors, filmmakers, and works in our field, and I can’t wait to see you all there.

The Mexicanx Initiative

As Artist Guest of Honor of the upcoming 76th World Science Fiction Convention, I’ve decided to create ‘The Mexicanx Initiative’ — an effort to sponsor Worldcon attending memberships and award them to FIFTY Mexicanx artists, writers, filmmakers, culture shapers, and fans. We need more Mexicanx representation in science fiction and fantasy, and together with my incredible sponsoring teammates, we aim to do that at this year’s convention.

So how does a Mexicanx sf/f professional or fan apply for one of these sponsored memberships? Simple. Answer this:

“Why do you want to attend this Worldcon?”

The rules are short and sweet. You must be Mexicanx — that is, of Mexican ancestry, whether a citizen of Mexico, Mexican American, Mexican Canadian, etc. As the sole judge and jury, I will review all submissions. I will research candidates as best I can. There is no word count limit, but please don’t craft an epic. Keep your statement simple — even something as short as 100 words can be effective. Just make it you. Make it from the heart. You may post it here, or email me. In some cases, I may ask if it would be OK to email or phonechat a few followup questions.

This business, this field, this life is about relationships. It’s about your stories and your dreams. I’m doing this because our world needs more Mexicanx stories, more Mexicanx sf/f pros and fans, and more DREAMers. To own our future, we must own our narratives, lest we continue to be villainized, abused, and butchered. It’s time for us to represent, gente.

My amazing sponsoring teammates so far are:

• Author John Scalzi (THE COLLAPSING EMPIRE)

• Photographer Ctein

• Author Ty Franck (one-half of James S.A. Corey)

• Author Christopher Brown (TROPIC OF KANSAS)

• Super-agent Joanna Volpe (President, New Leaf Literary & Media)

• Super-fan Chris Rose

• Super-fans John and Christine O’Halloran

• Author Mary Robinette Kowal (THE CALCULATING STARS)

• Author Kate Elliott (COLD MAGIC)

• Author and editor Richard Flores IV (FACTOR FOUR)

• Fast Forward: Contemporary Science Fiction (Kathi Overton, Tom Schaad, Mike Zipser)

• Super-fan Kat Angeli

• Super-fan Canadiense Anónima

• SF in SF and Rina Weisman

• Super-fan Randall Shepherd

• Super-fan Elizabeth B. McCarty

• AMAZING STORIES / The Experimenter Publishing Company

• Author Mur Lafferty and husband Jim Van Verth

• BWAWA (The Baltimore-Washington Area Worldcon Association)

• ALAMO (Alamo Literary Arts Maintenance Organization)

I’ve wanted to launch this endeavor since I was first named a Worldcon GoH back in August, but only recently has it achieved liftoff — and wow, is it ever rising FAST. I announced on Wednesday, January 24th, that I would sponsor two Worldcon memberships, and within minutes, my good friend Scalzi offered to match with two of his own. We continue to gain teammates and we now have FOURTEEN sponsored memberships to distribute.

Shoutout to Mexicanas: So far, I’ve received very few submissions for these memberships from the ladies, while witnessing a strong wave from the men. Keep those submissions coming, one and all — but women, please don’t let the men have all of these memberships.

UPDATE (2/24/18): Thanks to my incredible teammates, we have now achieved our goal of 50 Sponsorships, which means a total of 50 Worldcon Attending Memberships will be granted to deserving Mexicanx pros and fans in the coming weeks. I want to thank ALAMO (Randy Shepherd, Scott Zrubek, Bill Parker, and the entire Board) for being the party that pushed this sponsorship effort across the finish line. Muchas gracias, all!!

Thank you to Worldcon 76 for its very generous support and enthusiasm for The Initiative. Our team goal is to bring FIFTY of the best Mexicanx creators and fans to this year’s convention, and together, we will make that dream happen.

In Loteria We Trust.